Directing
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War for our attention has suddenly become an actual war. Information technologies appear not just as mere means for somebody’s ends but as something having their agency, as one of the acting forces rendering possible a horrific event, which is very hard to accept and almost impossible to comprehend. We have no control over it and are doomed to scroll through the newsfeed.
Good and evil, utopia and dystopia, narrative and post narrative collide in a mortal battle for fun to public.
However permanent and stable any order may seem, it may eventually crumble when reality outside of the system creeps in, growing like organic matter through the boundaries that the order has imposed. An animated odyssey.
Winter cannot last forever, and this film is a promise of light and warmth, expressed in just a few letters. An experimental film combining letters, photographs, 2D and 3D animation.
New animated film by Ilya Yudovich.
The sixth episode of the joint project of the artist Sasha Svirsky and the composer Alexey Prosvirnin "Music videos for non-existent ensembles".
The fifth episode of the joint project of the artist Sasha Svirsky and the composer Alexey Prosvirnin "Music videos for non-existent ensembles".
Fixies tell where books come from and how headphones help to write a dictation. Riki and Tyra hatch their dreams and have a carnivorous flower at home. Smeshariki will learn the secret of strong friendship and teach Pin to fly. And Bodo Borodo will go to conquer high waves and watch cartoons at the animation festival.
The shadow, or the dark twin, has turned into a spokesperson for all that is obsessive, perverse and rebellious.
The seventh film in the joint recycle project of artist Sasha Svirsky and composer Alexey Prosvirnin "Puwu-R". Recycle-animation uses unreleased film clips, allowing them to find life and meet the viewer.
A music video made collaboratively for the strange 1994 song by French band Les Pirez, which had become a hit at one of the main Russian domestic animation festivals.
In high-contrast images reduced to black, white, and red and with expressive illustrations and computer-generated 3D sculptures, Sasha Svirsky formulates his outcry against the war in Ukraine, thus giving a voice to the many Russians who oppose it. He portrays Peter the Great (1672–1725), the first emperor of the Russian Empire, as a ruthless man of power who has lost all respect for human life.