Based on the tragic 1996 Mt. Everest disaster, the opera focuses on three climbers as they attempt the ill-fated summit. A new genre, the animated graphic novel puts you inside the pages as the tale drives on.

This deliciously dark take on the beloved Brothers Grimm fairy tale, appealing to audiences of all ages, was part of the Met’s popular English-language holiday series. Alice Coote and Christine Schäfer star as the famous siblings lost in the woods, who battle the ravenous Witch—a zany portrayal by tenor Philip Langridge—while the Met orchestra, under the baton of Vladimir Jurowski, glories in the rich, folk-inspired score.

One of today’s most compelling singing actresses, Karita Mattila takes on the irresistible role of Manon Lescaut, the headstrong young woman torn between a life of luxury and the call of her true love: the Chevalier des Grieux, played by Marcello Giordani. The young Puccini lavished some of his most sensual music on this early hit, conducted here by James Levine.

John Adams’s mesmerizing score, in the powerful production of Penny Woolcock, tells the story of one of the pivotal moments in human history—the creation of the atomic bomb. Conducted by Alan Gilbert in his Met debut, this gripping opera presents the human face of the scientists, military men, and others who were involved in the project, as they wrestled with the implications of their work. Baritone Gerald Finley gives a powerful star turn in the title role as the brilliant J. Robert Oppenheimer.

Witness the fall of Troy and the rise of an even greater nation in Hector Berlioz’s monumental five-part epic The Trojans. Opera legend Susan Graham, a master of the French opera repertoire, leads the cast as the lovesick queen Dido, who welcomes the Trojan refugees to her shores—only to have her heart broken by one of their heroes.

It is love at first sight when the knight Walther von Stolzing first meets the goldsmith’s daughter, Eva. But tradition trumps love in 19th-century Nuremberg. Her father has decreed there’s only one way to win Eva’s hand in marriage, and that’s to join Nuremberg’s guild of competitive singers—and beat them all in song.

John Nelson conducts the Orchestra and Choir of the Accademia Nazionale di Santa Cecilia in Handel's Messiah. Soprano, Sara Blanch; mezzo-soprano, Sasha Cooke; tenor, Krystian Adam; bass, Alex Esposito. Choir master, Andrea Secchi.

Idealism, treachery, honor, and perfidy collide in this richly lyrical opera by French composer Ernest Chausson. This opulently scored work, which premiered in 1903, lays bare the tragedy of King Arthur’s betrayal at the hands of his queen Genièvre and his trusted knight Lancelot. Considered one of the finest examples of French romanticism, King Arthur (Le roi Arthus) was composer Chausson’s only opera—his own composing career was tragically cut short by his early death at age 44. Performed by a stellar cast, helmed by baritone Norman Garrett, mezzo-soprano Sasha Cooke, and tenor Matthew White, this production of King Arthur takes us to a world in the midst of upheaval where long-standing codes of honor and loyalty no longer hold sway.