In the mid-1950s, Sara Facio burst into the world of photography. A tireless precursor, a photographer with a unique gaze, an audacious photojournalist, with the camera on her back, “was there” whenever she wanted.

“The Bauhaus was never a myth for me. It was a piece of GDR childhood,“ says filmmaker Anne Berrini, who grew up in Dessau, in her partly autobiographical documentary. In 2005, she went in search of photographers Grete Stern and Horacio Coppola, who once met at the Bauhaus. She followed their traces from Germany to Argentina to New York and interviewed friends, relatives, artists and scientists. Whether Buenos Aires, the female psyche or marginalized indigenous peoples – the view of the artist couple was new, avant-garde, provocative. From the role model of women to emigration from Europe to the New World – on her journey, the filmmaker questions perspectives of the past and the present.

María Elena Walsh forever revolutionized the language and imagination of children's shows. But very few know the importance of his works for adults, his political convictions against dictatorships and his defense of women's rights. Topics addressed by this work that covers the main conflicts experienced in his personal and professional life. From his adolescence as a precocious poet in an oppressive society, until his later years, after leaving the stage during the last Argentine military government.

Things begin to fall apart for Samy (Ricardo Darín), a longtime television writer on the brink of turning 40, when his midlife crisis starts interfering with his career. Suddenly, his scripts just aren't that funny, and he's considering leaving showbiz altogether. Can a pretty new actress (Angie Cepeda) help him turn his life around? Eduardo Milewicz directs this Spanish-language romantic comedy.