
Acting
Sandrine Holt is a British-born Eurasian Canadian model turned actress.

As the city is locked down under quarantine, Alice finds out that the people that died from the previous incident at the Umbrella Corporation have turned into zombies. She then joins a small band of elite soldiers, who are enlisted to rescue the missing daughter of the creator of the mutating T-virus. Once lack of luck and resources happen, they begin to wage an exhilarating battle to survive and escape before the Umbrella Corporation erases its experiment from the face of the earth.

A group of troopers take refuge in an abandoned outpost after fighting alien bugs, failing to realize that more danger lays in wait.

Inter-tribal rivalry leads to a competition to erect a huge Maoi statue in record time before Make can take part in the race to retrieve the egg of a Sooty Tern. The reward for winning this race is to rule the island for one year.

Inspired by a murder-mystery-turned-legend surrounding a massacre near "Sam's Lake," the film follows Sam, a young woman who, every summer, returns home to the secluded lakeside cottage she grew up in, to reconnect with her traditions and memories of the past deep within an isolated forest.

Missionary Father LaForgue travels to the New World in hopes of converting Algonquin Indians to Catholicism. Accepted, though warily, by the Indians, LaForgue travels with the Indians using his strict Catholic rules and ideals to try and impose his religion.

Alien creatures emerge from the sun and attack Earth.

Marvin, a young aspiring writer from New York, moves to California to write a novel. He ends up rooming with a chaotic, bohemian musician named Jay. Marvin finds himself inexorably drawn into the vibrant youth culture of San Francisco's Mission District as both Jay and himself watch their worlds disintegrate. They discover that each has a lot to learn from the other. Mission is a coming-of-age story casting a spotlight on a place and time, moments before artistic aspiring types yielded the Mission to the dotcom entrepreneurs.

Set in Hong Kong and Vancouver, the story follows Mac Ramsey and Li Ann Tsei, lovers and professional thieves who are separated while fleeing the powerful Hong Kong underworld crime lord who raised and trained them. After being imprisoned in Hong Kong, Mac is forcefully recruited into a clandestine international crime-fighting unit by a hard-nosed, menacing Director. He is teamed in Vancouver with Li Ann, who thought Mac was dead, and her new fiancé Victor Mansfield, an ex-cop who is attracted to the unorthodox methods of the agency. Conflict flares between Mac and Victor as the trio take on their assignment. They soon learn that their principal target is their foster brother Michael Tang, who had been given Li Ann as his future wife and who has vowed to hunt down the pair for their disloyalty to the "family".

Inconsolable since the death of his wife, Karsh, a prominent businessman, invents a revolutionary and controversial technology that enables the living to monitor their dear departed in their shrouds. One night, multiple graves, including that of Karsh’s wife, are desecrated, and he sets out to track down the perpetrators.

David Weaver makes his feature debut with this omnibus film in which each tale is told during different points during the 20th century, but in the same hotel room -- room 720. The film opens during the swinging '20s when a beautiful young woman, married against her will to a brutish thug of a man, endures a tension-fraught honeymoon. During the Depression segment, a mail-order bride from China meets her husband for the first time. Following the end of WWII, a soldier returns home to meet his girlfriend and his best friend. During the paranoia of the 1950s, a professor searches for his wife. During the 1980s, a lawyer has too much sex and debt, and during the dawn of the millennium, a woman comes to a newly refurbished room 720 to meet her Internet lover. Such acclaimed Canadian actors as Tom McCamus, Sandrine Holt, and Colm Feore star in this film, which was screened at the 2001 Toronto Film Festival.


