Bruno is released from prison. He looks for a job and tries to start a new life. His first stop is at his father's apartment.

In 1930s south of France, young orphan Roch is adopted by the wealthy Earnshaw family and moves into their estate, Wuthering Heights. Soon, the new resident falls for his compassionate foster sister, Cathy. The two share a remarkable bond that seems unbreakable until Cathy, feeling the pressure of social convention, suppresses her feelings and marries Lindon, a man of means who befits her stature. Roch vows to win her back.

This film noir tends to stay within very conventional plot lines, as the narration by the main protagonist, private detective Eugene Tarpon Jean-François Balmer, recites a dreary litany of how he wanted to chuck his profession until an attractive woman shows up asking him to investigate the murder of her roommate, a porno star. Soon Tarpon is up to his neck in trouble: the police, gangsters, and the victim's lover are all out to get him.

An old man moves into a pension after leaving his house to his son. One day, his son picks him up and takes him to an old house, where he can enjoy the last good moments of life.

Louis works for a dry cleaner in the Parisian suburbs. He lives in a council flat with his wife, Chantal, who works as a cashier in a local supermarket. Their relationship is tumultuous and lackluster; Louis longs to escape his humdrum existence. He wants to find a truck to drive to Lebanon. To carry out his plan, he commits a robbery at the supermarket where his wife Chantal works. His plan goes wrong when he fatally wounds a store employee and a security guard. He manages to leave the supermarket unharmed, his loot in his pockets. However, one person witnessed the gruesome scene: Lucie, another cashier. Why does this woman, who seems to have all the evidence to incriminate him, remain silent? Louis is determined to get to know Lucie to better understand the intentions of this mysterious man.

A playwright offers two actress friends the chance to appear in his new, unfinished play, which consists of only one female part.

A woman is waiting for the bus. A man in a car offers her a lift but she rejects till he points that it is Sunday and the bus is not running on Sundays. In their short travel together through the streets of a deserted Paris the man tries to seduce the woman without apparent success.