Acting
No biography available.

When Slavko's old friend Djulaga dies, Slavko feels obliged to go to the funeral. But in his hometown of Mostar, in Bosnia & Herzegovina, this simple social obligation has the potential to get him into all kinds of trouble: with his neighbors or even with local political bigwigs. Yet if he does not go, his wife will think he's a coward, the grieving family will never forgive him - and he might have trouble forgiving himself. This is a compelling tale of everyday life in a fractured society, and a world where paranoia, comedy and drama co-exist. It is also an astute psychological portrait of a man who is forced to cross the invisible line that divides two communities. Above all, it is the story of a man who lost everything that defined him, when his country disintegrated.

Summer of 1972, a small group of fanatical Croatian nationalists, trained and equipped by extreme emigrant organizations, infiltrated the territory of former Yugoslavia with intent to organize an uprising against Tito's regime. This series, very loosely based on true events, depicts the manhunt that followed.

Testament is a humorous and emotional story set in a Bosnian village and the industrial city of Zenica in the early 1990s. It portrays, in a uniquely local way, the importance of a will and the consequences of its absence within Bosnian culture. Through the lives of ordinary people, the film weaves together a series of small conflicts and misunderstandings over inheritance, tradition, and human relationships, where old customs collide with a reality full of human flaws: gambling, gossip, love, and petty theft. The main character, Asad, after losing his father’s inheritance, must navigate the world of industrial Zenica, local taverns, and everyday rural troubles, aided by his best friend Dževad, a charming man constantly facing his own challenges while seeking shortcuts to every solution.
A TV adaptation of the eponymous play by Miodrag Zalica. The protagonists go through the world of theater, where everything is possible, enter into ludic turns from the grotesque to the tragic, from the tragic to the comic.