
Acting
From Wikipedia, the free encyclopedia. Samuel Roukin (born 15 August 1980) is an English actor. Roukin was born in Southport, and currently lives in Kentish Town, North London. He displayed an interest in drama from an early age. After completing secondary school at Merchant Taylors' School, Crosby where he was involved in many school productions and where he now returns to give acting workshops to the pupils involved in drama and English, he went on to train at the Bristol Old Vic Theatre School, graduating in 2003. Roukin finished filming Bright Star, directed by Jane Campion and based on the three-year romance between 19th century poet John Keats and Fanny Brawne, which was cut short by Keats' death at age 25. Roukin starred in the 2008 hit film Happy Go Lucky as the main character's (Poppy, played by Sally Hawkins) love interest. According to the review on The Independent website by Jonathan Romney, ( Poppy ) "Realising one of her pupils is unhappy, she takes action that results in her meeting a simpatico social worker (Samuel Roukin), leading to possibly the single most convincing, no-nonsense, outright charming flirtation scene I've seen in cinema." The film directed by the multiple award winning Mike Leigh won a host of nominations and awards worldwide for the film. Roukin played a Snatcher in the two-part finale of the Harry Potter franchise, Harry Potter and the Deathly Hallows Part I & Part II. He was recently interviewed by DemonFM in Leicester about his current stage work. ITV's recent two part drama DCI Banks - Aftermath featuring Stephen Tompkinson had Samuel playing the lead villain in a prime time mini series that was watched by over 5.5 million viewers. Description above from the Wikipedia article Samuel Roukin, licensed under CC-BY-SA, full list of contributors on Wikipedia.

A look at a few chapters in the life of Poppy, a cheery, colorful, North London schoolteacher whose optimism tends to exasperate those around her.

In 1818, high-spirited young Fanny Brawne finds herself increasingly intrigued by the handsome but aloof poet John Keats, who lives next door to her family friends the Dilkes. After reading a book of his poetry, she finds herself even more drawn to the taciturn Keats. Although he agrees to teach her about poetry, Keats cannot act on his reciprocated feelings for Fanny, since as a struggling poet he has no money to support a wife.

Jane Austen is about to turn 40, but she still hasn't found her ideal man. When Jane is approached by her niece Fanny and asked to help select the perfect husband for the young girl, the aging spinster begins to wonder why it is that she never found a man to share her own life with.

A young confidential informant is sent on a dangerous undercover operation. It's a no-holds-barred look at the vulnerable foot soldiers of the War on Drugs, young criminals who are pressured to work for the police.

Two teenagers are drawn together by the Buzzcocks' single 'Love You More' during the summer of 1978.

Senior investment banker Naomi Bishop’s world of high-power big money is brutal and fierce, and one she thrives in. When a controversial IPO threatens the fragile balance of power and confidentiality, Naomi finds herself entangled in a web of politics and deception.

Pitted against each other since youth and raised to believe true artists are only formed through suffering, the sisters reunite after years of estrangement. One sister learns authenticity, the other regret, but neither escapes the sins of their father.
This is a modern interpretation of the bard's tragedy, set in the claustrophobic confines of a stretch limousine which prowls the streets of a contemporary landscape as its agoraphobic passengers struggle for existential meaning in a dog eat dog world where only the fit survive, and tragedy unfolds.

The Kitchen, Arnold Wesker’s "extraordinary black comedy," is directed by Bijan Sheibani and features an ensemble cast of 29 actors. The production is set in a restaurant in 1950s London.

A nomadic 16th century warrior, condemned to hell for his brutal past, seeks redemption by renouncing violence, but finds some things are worth burning for as he fights to free a young Puritan woman from the grip of evil.
