1942 Paris. Annette is 20 years old, Jean is barely older, they love each other and the future is bright for them. But the deportation of the Jews of France will change their destiny. Upset at the idea of their only son marrying a Jewish woman, Jean Jausion's parents decide to keep young Annette Zelman away from them... and denounce her to the Gestapo. The machine was launched, but it was too late. Annette was deported to Auschwitz on June 22, 1942.

Cédric is a worker in a precision mechanics factory in the French Alps. When he finds out that the factory is about to be sold to an investment fund, he joins forces with two of his childhood friends to pull off an epic heist.

A woman, accidentally caught in a dark deal, turns the tables on her captors and transforms into a merciless warrior evolved beyond human logic.

Faced with the increasing commodification of human activity, citizens are getting involved. Artists, teachers, researchers and intellectuals are opposing the social rethinking imagined by the MEDEF and applied by the liberal power. Through a year of debates and actions, they are trying to raise collective and citizen awareness, by recalling the very foundations of our society that once gave birth to Human Rights. The ambition of this film is to give an understanding of this turning point in society, based on the voices raised in the struggle and to question the alternatives made possible by the social movement.

Paris, in the early 1990s: a group of young activists is desperately tied to finding the cure against an unknown lethal disease. They target the pharmaceutical labs that are retaining potential cures, and multiply direct actions, with the hope of saving their lives as well as the ones of future generations.

At the Mêle sur Sarthe, a small Norman village, farmers are affected by a crisis. Georges Balbuzard, the mayor of the city, is not one to let them down and decides to try everything to save his village...

Vincent and Olivier have an intense, rocky relationship: Vincent evades tenderness, just as he does desire, forcing the couple to hunt for a third partner to participate in their sexual games. Olivier has a background in the theater. He believes in, but is preoccupied by their relationship; he wants to free Vincent from the ghosts haunting him. But Vincent is locked into the past. His father, a pilot, was killed in a plane accident. Vincent’s job is a strange, uncommon one that plunges him deep into contemplation from which no one can make him budge: he deciphers plane disaster recordings. Vincent’s unconscious repression is so powerful that he hasn’t even recognized the link between his father’s death and his work. It will take the stormy encounter with Olivier for Vincent to obtain his ‘black box.’ Indeed, the two young men come to life through their connection with each other, a connection which shatters the framework of typical love stories.

Constance and her fiancé hope to one day take over, modernize and expand her father’s farm, on the verge of bankruptcy, to the large-scale farms that share the land and power. She gains the support of the influential and charismatic Sylvain, their fate quickly lying in his hands... When Sylvain's desire for her steps in the negotiations, Constance must face yet another kind of violence.

Amin has come from Senegal to work in France, leaving behind his wife Aïcha, and their three children. He leads a solitary life in France, where the only space he occupies is his home and the building sites on which he works. Most of his earnings are sent to Senegal. One day, he meets a woman, Gabrielle, and a relationship is born.

A staging of Olivier Py's play "Les Enfants de Saturne" by himself. It is based on the tale "Die wahre Braut" by brothers Grimm.