A cop and his son move into a worn-down apartment building. The boy is first menaced by a neighbor girl and then goes missing. The father tries to look for him by knocking on the neighbor girl's door but finds that no girl lives there.

After his attempted robbery runs aground, a thief takes a shine to his would-be victim, a charming prostitute, who begins to tell him her life story.

Three flatmates share a luxury flat. A philandering hairdresser meets his match. A young stockbroker meets his boss's soon-to-be-ex-wife. A pregnant lady unsure over the identity of the baby's father.

The year is 2046 and 82 year old Golden Chicken Kum, spots a heartbroken man planning to take memory loss-pills. Claiming that Hong Kong people have a way of forgetting, she begins to recap part of her life story, starting in 2003 during a time where she was desperately looking for a husband and the SARS outbreak happened.

A young boy's journey to puberty. Awkward first time experiences are a combination of jest and melancholy as only adolescence can ignite.

In McDull, the Alumni, our protagonist has grown up. He is no longer the little boy who banters with his mates at school. How he wishes he could just go on bantering all day long with his mates at the renowned Flower on the Spring Field Kindergarten. But that is not to be. Like all grown-ups, he has to grapple with harsh reality. McDull and his mates are scattered all over the place. Each one of them has to find his or her own path. In each of their hearts, they know they have failed. Meanwhile, life goes on in the kindergarten. Someone strums a guitar and the pupils chime in to the song: Puff the magic dragon, lives by the sea… A dragon lives forever, but not so little boys. With hindsight, McDull believes this could well be the maxim of the Flower on the Spring Field Kindergarten alumni.

Zhou Heung Kong (Anthony Wong) runs the film projector in a Hong Kong cinema and staunchly embraces a left-wing viewpoint. Dedicated to his work, he screens movies over the course of decades, while also witnessing turbulent events of the times, including riots and other indicators of social change.

Zhou Heung Kong (Anthony Wong) runs the film projector in a Hong Kong cinema and staunchly embraces a left-wing viewpoint. Dedicated to his work, he screens movies over the course of decades, while also witnessing turbulent events of the times, including riots and other indicators of social change.

Wah, a hotshot reporter, contracts a terminal disease. With his days numbered, he decides to spend his remaining time chasing a big story. He journeys to Malaysia and tracks down Shun, a rogue trader who brought down the stock market with his illicit activities. Wah becomes Shun's hostage and uses their journey to gain insight into Shun's offbeat criminal methods. But in learning Shun's story, he also begins to learn something about the value of his own life.

Wah, a hotshot reporter, contracts a terminal disease. With his days numbered, he decides to spend his remaining time chasing a big story. He journeys to Malaysia and tracks down Shun, a rogue trader who brought down the stock market with his illicit activities. Wah becomes Shun's hostage and uses their journey to gain insight into Shun's offbeat criminal methods. But in learning Shun's story, he also begins to learn something about the value of his own life.