
Acting
Sami Kaftan is an Iraqi actor. He is best known in his home country and other Arabian Gulf countries for his prolific career, specially on stage, that has spanned over five decades. He started his career in 1960 through a role in the film "Yad Alqadar" (The Hand of Fate). He participated in more than 25 films and numerous television series and theatrical plays.

In a drought-stricken Iraqi village, residents struggle with dried wells and springs, considering migration. Led by Sheikh Zayed Al-Radi, they unite to find water and persevere through scarcity.

A social drama interspersed with numerous songs and dances, revolving around a young man who falls in love with a girl. In each situation, a song vividly portrays the emotions of that moment.

The film portrays the Iraqi army's role in confronting Iranian aggression during the war between Iraq and Iran from 1980 to 1988. The film highlights numerous heroic acts of Iraqi army personnel during this conflict.

After his beloved fiancé was forcibly taken away, Esho, a school teacher, is falsely accused of committing a crime and gets thrown in an Iraqi prison. While in prison, he witnesses the unjust execution of three activists who become heroes in their martyrdom for defending the human rights of the indigenous Assyrian people in the Middle East. Upon his prison release, Esho vows to honor the martyrs' courage and sacrifice by journeying the world to share their stories. Ultimately, he gains international attention when he meets an American journalist, William Cooper, a representative of the United Nations Human Rights Organization.

The film depicts the biography of King Ghazi, one of the kings of Iraq in the 1930s, who sought to break free from the bonds of British colonization and adopt a nationalist path. This led various parties to attempt his assassination, including the servant Sa'id, who is also disposed of after the assassination. The film also portrays aspects of life in Iraq during the 1930s.

During the British colonial period in Iraq, Sheikh Dhari and his tribe openly reject colonization and employ peaceful resistance against the British occupation. In response, the English forces resort to violence, targeting Sheikh Dhari's locations in their confrontation with Laghman. When he is captured, they accuse him of blocking the road, revealing the schemes orchestrated by Britain in Iraq.

A simple family lives in Baghdad, led by a hardworking man named Sheikh Ali. He has a son named Abbas and a daughter named Najia. As Abbas matures, he falls in love with Majida. Yasin, Abbas's mother, seeks to arrange his marriage to Majida. This leads to a conflict between Yasin and Abbas, sparking the flames of revenge and a struggle for control over the family's commercial business.

(Nadia), who was born and raised in (France), returns to (Iraq) to rediscover her roots and origins. During this journey, (Nadia) gradually uncovers the story of her grandfather, Haj (Najm) Al-Baqal, the owner of the date shop, and the man who was one of the prominent leaders of the revolution in (Najaf) against British colonialism in 1918. The film sheds light on the impact that Haj (Najm) Al-Baqal's struggle left on the people of (Najaf).

A festival is being held in Babylon, to which archeologists, artists, and media professionals are invited, along with an Egyptian television delegation headed by an archaeologist. This scholar meets an Iraqi girl who bears Iraqi features, and gives her appearance the impression that the archaeologist, the archaeologist, and that his dream has begun to materialize in front of him, and a group of comic situations begins.

A love story unfolds between a girl and a young man in one of the coastal areas. They become involved in a physical relationship, resulting in her becoming pregnant. Tragically, her lover dies in an accident. Fearing disgrace, she attempts suicide, but is rescued by a kind-hearted fisherman who falls in love with her and cares for her in his small cottage. However, the girl dies after giving birth to their child, leaving the fisherman in shock.
