A young student prepares his degree thesis on Pasolini and Bologna by investigating the relationship of the great intellectual with the city of his childhood and his studies. Following in the footsteps left by Pasolini in Bo­logna, the protagonist will tell, for the first time in the form of a documentary and with a rock narrative rhythm, the emotional, visceral but also controversial bond of Pasolini with Bologna until his final days, also characterized by severe criticisms of the “consumerist and communist” city, a symbolic terrain of the adverse social and economic metamorphosis from paleo­industrial to neo-capitalist society.

This double bill from I Teatri Reggio Emila sets theatrical farce in private spaces. Alfred, Alfred, comes from the experience in hospital of its composer, Franco Donatoni, in 1992: a journey suspended between the surreal intimate visions of a patient and the reality of hospital life. Written three centuries earlier, Pergolesi’s La serva padrona offers a picture of domestic antics, where a shrewd maid outwits her grumpy master into marrying her.