Produced for Glass Eye Pix as part of their 2008 Creepy Christmas Online Film Festival, in which each short was inspired by the inhabitants of a Christmas diorama advent calendar. Each filmmaker was assigned a specific date and given the props that were used in that window to use in their short. This is the twentieth film in the series.

Produced for Glass Eye Pix as part of their 2008 Creepy Christmas Online Film Festival, in which each short was inspired by the inhabitants of a Christmas diorama advent calendar. Each filmmaker was assigned a specific date and given the props that were used in that window to use in their short. This is the twentieth film in the series.

On the first night of Passover the residents of a remote Jewish bungalow colony are turned into flesh-eating zombies by matzo with a dark history. In the hunt for human flesh these Hasidic zombies descend on an unsuspecting gentile family in their quiet farmhouse. The loving mother and father and their mischievous son and nubile teenage daughter face an almost certain end until a mysterious stranger miraculously appears to save the day.

On the first night of Passover the residents of a remote Jewish bungalow colony are turned into flesh-eating zombies by matzo with a dark history. In the hunt for human flesh these Hasidic zombies descend on an unsuspecting gentile family in their quiet farmhouse. The loving mother and father and their mischievous son and nubile teenage daughter face an almost certain end until a mysterious stranger miraculously appears to save the day.

On the first night of Passover the residents of a remote Jewish bungalow colony are turned into flesh-eating zombies by matzo with a dark history. In the hunt for human flesh these Hasidic zombies descend on an unsuspecting gentile family in their quiet farmhouse. The loving mother and father and their mischievous son and nubile teenage daughter face an almost certain end until a mysterious stranger miraculously appears to save the day.

Roger Greenberg, a failed musician now making a living as a carpenter in New York, returns to Los Angeles to house-sit for his brother. He's stranded there—since he doesn't drive—until his brother's assistant, Florence, comes to his rescue. She's as much a lost soul as he is, and the pair form a significant connection—giving Roger a much-needed reason to be happy.

In ancient Italy, a young servant is offered wealth and freedom... if he will but murder his kindly master.