
Acting
After beginning in vaudeville, she was signed by Hal Roach Studios in 1925. When talking pictures arrived, her roles were limited because of her strong accent. After leaving movies, she found work on the stage and toured with the USO.

A meek millionaire masquerades as a boxing star to win a girl's heart.

Chorus girl Teena Johnson may be "hard-boiled," but she's no golddigger. Thus, when the father of her wealthy sweetheart Kyle Stannard tries to buy her off, Sally refuses the money. She sticks by Kyle even after he is disinherited and forced to go to work. The financial strain on the young couple's marriage eventually takes its toll, and before long they separate, with Sally returning to the chorus line to square her husband's debts.

A cook for bridge constructors is told to collect food for dinner-Ritz style trout, Palmer house rabbit and a 15cm frosted cake. He sets off into the wide open spaces to collect the food, coming into contact with a mad hermit, who hates anybody seeing his daughter, before returning to cook dinner.

Gum-chewing frizzy-haired golddigger Marie Skinner cooks up a scheme with her lover Babe Winsor, a jazz hound, to fleece a portly middle-aged real estate tycoon, William Judson. Marie moves into Judson's apartment building and contrives to meet and seduce him, plying him with compliments, music, swoons, décolletage, and batted eyes. When his loyal wife (and their two children) see him out catting with Marie at a night club, mom's devastated and confronts him. He moves out. Babe wants Marie to sell Judson worthless bonds. Will mom commit suicide? Will sis shoot the floozy? Will pops figure out he's being a fool?

Sally Lapidowitz is the daughter of an Orthodox Jewish father and an Irish Catholic mother and the girlfriend of motorcycle cop Patrick Sweeney. Sally finds herself attracted to the fancy Stuart Gold, a young Jewish boy who charms her father but raises Patrick's suspicions, which are soon justified.

With unpaid actors and staff, the stage show Phantom Sweetheart seems doomed. To complicate matters, the box office takings have been robbed and the leading lady refuses to appear. Can the show be saved?

When a mother dies of heart failure in a doctor's office, the physician--feeling somewhat guilty because he couldn't save her--takes an interest in the woman's young daughter, and makes her his ward, but his fiancé doesn't particularly like it. After he returns from a three-year engagement in Europe, the doctor discovers that his ward is now a beautiful, full-grown woman, and finds himself falling for her--even though she's engaged to his fiancé's brother.

A sponge diver hopes to make enough money to buy his own boat and marry his girlfriend. A rival diver, however, has other plans for him.

Wealthy young socialite Diane Wyman squanders her fortune and becomes involved in a scandalous raid at a wild party. Her legal guardian, a lecherous old man who has the hots for her, hires a private detective to spy on her. He tails her to a train headed for New Orleans, but she catches on to him. She befriends a young woman aboard the train and they both give the private eye the slip. What Diane doesn't know, however, is that that her newfound friend is actually a notorious criminal known as The Moth, and she has her own reasons for helping Diane escape--she, too, is being tailed by a detective, who's after a cache of jewels she's stolen.

Ted Howard, a vaudevillian left, stranded in a tank town. A local girl, Mary (Sally O'Neil), proposes to finance a new act with her savings and the team succeeds in a minor way until Ted is discovered by Broadway femme fatale Valeska (Carmel Myers). Not wishing to stand in her partner's way, Mary nobly resigns from the act and instead accepts a minor role in the show. She proves a sensation on opening night, however, and a jealous Valeska demands her ousted. But Ted, who is in love with Mary, reorganizes their old act and they begin a new life together as man and wife.


