In seventeenth century England Lord Whitman wages unending war on what he sees as the ever-present scourge of witchcraft, and many local villagers have suffered at his hands. But one victim uses her occult powers to curse his family, enlisting unknowing help from one of the household.

Local councillor Sidney Fiddler persuades the Mayor to help improve the image of their rundown seaside town by holding a beauty contest. But formidable Councillor Prodworthy, head of the local women's liberation movement, has other ideas. It's open warfare as the women's lib attempt to sabotage the contest.

A group of holidaymakers head for the Spanish resort of Elsbels for a 4-day visit. When they get there, they find the Hotel still hasn't been finished being built, and the weather is awful. And there is something strange about the staff—they all look very similar. To top it all off, the weather seems to be having an adverse affect on the Hotel's foundations.

Herman inherits a greyhound and decides to make his fortune by dog racing. After traveling from Manchester to London in the hope of entering a national invitational, Herman and his friends find work in a pop group, and Herman falls in love.

Evil lurks in the gloomy house at Markham Manor where a deranged Sir Edward is the chained prisoner of his brother Julian. When Sir Edward escapes, he embarks on a monstrous killing spree, determined to seek revenge on all those whom he feels have double-crossed him.

The legendary Sid James stars as the head of a chaotic household in this movie spin-off from the hit ITV sitcom. Sid Abbott and his best mate Trevor (Peter Butterworth) enjoy home-brewing. Plans to turn their hobby into a profitable, if illicit, sideline come unstuck when a Customs and Excise officer (Terry Scott) moves in next door! What’s more, Sid’s outspoken and madcap family hinder neighbourly relations even further.

Adaption of Alexandre Dumas's novel, set in England in a contemporary society. Camille is living in London, working as a prostitute with her friend Nanine. Her life has no happiness until she meets the son of one her customers 'Armand' a Cambridge undergraduate .

A self-absorbed young biologist takes on a six-month research post in Antarctica to study a penguin colony. Alone in Shackleton’s abandoned hut, with only radio contact and letters to his distant girlfriend, he endures the harsh winter and gradually forms a bond with the penguins—discovering resilience, humility, and a new sense of purpose.

A middle-aged banker picks up two young, open-minded women on his way to a convention and falls head over heels for one of them.

Two women in a living room: smoking, playing cards, listening to the radio. As often in Dwoskin’s films, the use of masks, make-up and costumes allows the characters to playfully transform themselves. Shot in colour film, C-film exuberates swinging London energy. In the second part of the film, the women appear to be watching the rushes of the film on an editing table. ”We are making a movie” we hear them say. As Dwoskin points out, “C-film asks how much is acting acted”, an ongoing question in Dwoskin’s cinema. Produced by Alan Power, with Esther Anderson & Sally Geeson.