Inspired by the subject and by his wife's own phobia, Luc Moullet approaches this often-feared insect through the unique prisms of religion and sexuality in a daring essay.

This a beautiful May evening. The sun has just set behind the hill. Tonight the inhabitants of the Le Corbusier housing unit are going to experience a slight change of program. They are all sitting in front of their TV sets and in twelve minutes the face of the new President of the Republic will appear on the screens..

This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.

After his father is killed, Djilali is sold by his family to a Lebanese terrorist group. After completing a grueling training process alongside five other boys, Djilali is chosen for a special assignment and sent to Paris to live with carefree Arab boy Karim, who is scheduled to meet the French president at a Christmas party. Djilali's mission is to impersonate Karim and kill the president, but his growing friendship with the happy youth gives him pause.

Malik, who grew up in Paris suburbs, dreams to move to Canada. Someone will give him a chance. But, when you are an unlucky guy by nature, it is hard to keep its chance.

In Paris, men are waiting for a possible daily job in an agency. Among them, two novices Jean-Pierre and Théo. They find themselves in the suburbs to make a regular move.

Robert Millard has based his industrial kingdom - based on all the noise technologies - thanks to his marriage with the wealthy and cantankerous Irene, he blithely cheat for years. However, his last link with his pretty secretary, Eve, is the straw that broke the camel : Irene has indeed hired a detective-photographer, aptly named M.Colle order to have a maximum of incriminating shots. Threatened to divorce and thus to total ruin by his wife, the unfaithful husband should give up and dismiss Eve.

A stubborn director who wants to rediscover the Algiers of his childhood comes up against the “Hollywood” fantasies of his characters, non-professionals all hoping to be able to become “someone else”, at least for the duration of a film… Mise en abyme for a journey into megalomania…

Inept policemen try to stop an amoral young duo on a spree of robbery and murder in France.