Registration of the 1987 perfomance by the Dutch theatregroup De Appel of the tragedy 'Faëton Of Reuckeloze Stoutheit' by the poet and playwright Joost van den Vondel from 1663. The story is taken from Ovid's Metamorphoses and begins begins with the Sun God Phoebus who fathered four children with Clymene. When the children grow up, they go with their mother in search of father, but they wonder whether he really exists. When Phoebus hears this, he promises to fulfill every wish of his children. His son Faëton takes advantage of this and wants to spend a day in the solar chariot through the universe. That causes a lot of problems on earth, since Faëton's recklessness almost causes extinction.

Alex, a 28 year-old photographer, is no longer able to photograph people, for some mysterious reason. Every time he focuses his camera on someone, the same woman appears in his viewfinder - an image he cannot bear. When his brother Aram, whom he has not seen or spoke to for years, unexpectedly phones him and asks him to come to their parental home because their mother is severely ill and may not have long to live, he panics. The thought of a confrontation with the area where he grew up and the renewed encounter with his family makes him feel nervous. Nevertheless, that evening he leaves for AmnesiA: the estate of his parents, the spot where he spent his youth.

The actor Lucas Bron performs the play King Lear by William Shakespeare for the pupils of his son Patja. After the show, Patja has already got home when he is warned that his father's house is on fire. He rushes to the fateful spot. The fire brigade has already arrived and is unable to say whether his father is still in the house. Patja desperately runs into the burning house and finds his father unconscious on the kitchen floor. But Lucas' spirit is in the theatre. In a magic train of thought, just before he dies, Lucas directs and acts, assisted by his son, high points and low from his eventful life in the theatre, but also outside. Theatre and reality become intertwined. It slowly becomes clear that Lucas still has something to tell his son.

Handsome Dutchman Stijn is the star of an advertising agency with his buddy Frenk and a hot womanizer. The boys start their own agency and Stijn marries colleague Carmen, who accepts his incurable greed for truly meaningless one-night-stands. Even fatherhood and a move to the boring country go well, until Carmen gets breast cancer. Now their lives are turned upside-down, maybe wrecked

A lonely man finds comfort when he discovers a hidden garden in his linen cupboard. The idyllic discovery lends new lustre to his life, but soon it turns out that he is not the only one considering the garden his.

An actor tempts fate when he convinces a legendary, but loose-cannon, theater director out of retirement to give a masterclass at a drama school.

An idealistic Dutch colonial officer posted to Indonesia in the 19th century is cohvinced that he can make the kinds of changes that will actually help the local people he is in charge of, but circumstances soon make him realize just how out of touch he really is, and it doesn't take long for things to go from bad to worse.

The film is based on the popular Dutch childrens book by Chris van Abkoude. In a Dutch port in 1921 lives a 10-year-old orphan boy known to everyone simply as Little Crumb. His poverty-stricken mother Lize van Dien filled with shame was forced to turn him over to Mrs. Koster soon after he was born. Foster mother Mrs. Koster, who has cared for him since he was a baby, is very poor too, unable to support him by herself and proves to be a cruel taskmaster who insists Crumb bring her money before shell feed him. Somehow he must earn his keep out on the streets and can only go home after he has earned enough money. Crumb becomes an urchin stealing from the streets barrows and the shops to stay alive, sleeping in churches or huddled in doorways. Sometimes he has to run off from the police and he has earned the enmity of the most grownups around him.

Photofilm about a journalist of a local newspaper who feels his life has come to a standstill, until he discovers a conspiracy of mediocrity...

Feature film about the life of Aletta Jacobs (1854-1929). Aletta Jacobs knows from an early age that she wants to become a doctor. She asks Thorbecke to allow her to attend university and, after completing her studies, becomes the first female doctor in Amsterdam. Here, she focuses in particular on sexual problems in women and campaigns for universal suffrage. Director Nouchka van Brakel appears in the film as an interviewer who questions contemporaries about the life and work of Dr. Jacobs. The interviews give an impression of the flood of negative reactions that the feminist provoked. However, when Aletta looks back on her life at the end of the film, many photos and letters show how much she was ultimately appreciated.