Tanguy is 28 years old and still living with his parents. They think it's time he moves out. He doesn't, so they hatch a plan.

Business executive Odile seeks a new, larger apartment. Her younger sister Camille, having completed her doctoral thesis in history, is a Paris tour guide. Simon is a regular on Camille's tours as he's attracted to her. However, Camille has fallen for Marc, and they begin an affair. Nicolas is also looking for an apartment, since he hopes to eventually have his family join him in Paris.

Seven lonely lives in Paris: a middle-aged estate agent who believes a colleague is sending messages in video tapes she loans him; his co-worker whose Bible is close at hand in times of stress; her late-night charge, an angry, nasty bedridden old man; his son, a patient bartender; the bartender's best patron, an ex-soldier who's lost his moorings while his fiancée looks for a large flat for them; and, the estate agent's much younger sister, who answers personals and waits in cafés with a red flower pinned on her jacket. Will any connect? Can open hearts trump fears?

A very personal look at the history of cinema directed, written and edited by Jean-Luc Godard in his Swiss residence in Rolle for ten years (1988-98); a monumental collage, constructed from film fragments, texts and quotations, photos and paintings, music and sound, and diverse readings; a critical, beautiful and melancholic vision of cinematographic art.

In France, before WWI. As every Sunday, an old painter living in the country is visited by his son Gonzague, coming with his wife and his three children. Then his daugther Irene arrives. She is always in a hurry, she lives alone and does not come so often... An intimist chronicle in which what is not shown, what is guessed, is more important than how it looks, dealing with what each character expects of life.

In 1920, Major Dellaplane, a man of honor and ethics, searches for missing French soldiers. He meets Madame Irène de Courtil, a politically connected Parisian, and their paths cross.

Newly married, Mathilde and Robert are honeymooning at a resort owned by their friends Edith and Arthur, the Chateau d'Hercule. But an unpleasant shock is in store for them.

Joseph Rouletabille, a reporter for a local newspaper, investigates the attempted killing of Mathilde Stangerson, who uses the yellow room of the title as her bedroom. At the time of the revolver shots her room was locked and the windows were barred, but when her father enters after having forced the door, there is no-one there except for Mathilde. So who did it and how did he get away?

Elisabeth and Simon have been deeply in love for two months when Simon momentarily dies, but returns to life. Despite declining further medical tests, the couple are forced to grapple with the possibility of his death. Eventually, they tell their close friends Jérôme and Judith Martignac about the event. The Martignacs are both clerics, and Judith has just been giving a funeral service for a villager who committed suicide, though Jérôme would have nothing to do with suicide...

Getting away from it all causes more problems than it solves in this comedy from the French writing-directing team of Jean-Marie Larrieu and Arnaud Larrieu. Alexandre Darou (Jean-Pierre Darroussin) and his wife Aurore Lalu (Sabine Azema) are a pair of well-known actors who need a break from the tension and fast pace of their lives in show biz. Adopting the names "Mr. and Mrs. Go," Alexandre and Aurore head for a village high in the mountains of Southwest France, where they hope to enjoy some relaxing downtime and they won't be bothered. However, Alexandre and Aurore underestimated their own fame, and it isn't long before everyone in the town knows that a pair of movie stars are in their midst. As the couple head into the hills, Alexandre and Aurore discover they don't have much of a talent for roughing it, and while she believed that getting away from the city would help her deal with a recent bout with nymphomania, getting back to nature only increases her appetite for other men.