S. S. Rajamouli Movies, TV Shows, and Filmography
S. S. Rajamouli
Directing
Biography
Koduri Srisaila Sri Rajamouli is an Indian filmmaker who works in Telugu cinema industry. Known for his epic, action and fantasy genre films, he is the highest grossing Indian director of all time, as well as the highest-paid director in Indian cinema. His acclaimed filmography includes Eega (2012), the Bāhubali duology (2015 - 2017), and RRR (2022). He is a recipient of various national and international honours including a New York Film Critics Circle award, a Critics' Choice Movie Award, two Saturn Awards, and three National Film Awards. In 2016, the Government of India honoured him with the Padma Shri, for his contributions in the field of Art. Rajamouli's films are often characterized by their epic grandeur, larger-than-life characters, stylized action sequences, and unbridled heroism with historical and mythological references. His films are noted for their integration of CGI with practical effects. With his Baahubali films, he has pioneered the pan-Indian film movement, wherein a film is simultaneously released in multiple Indian languages across the country, and made in a way that appeals to the audience cutting across the linguistic and cultural barriers. He is also credited for expanding the market of Telugu cinema and South Indian cinema into North India and international markets.
Filmography Movies
Acting
Sye
The story is set in the backdrop of a college that is riven by two groups led by Prithvi and Shashank. Though there is nothing malicious between the groups, they just can't see eye to eye on anything. The only thing common between the two are their abiding passion for rugby. Whenever a problem crops between the two, it is usually settled with a bitter scrum on the rugby field. As it happens, the college land falls into the hands of a local dadha Bikshu Yadav. This is good enough reason for the two groups to forge a common identity and fight for the land. Prithvi and Shashank bury the hatchet and get back the land. This is too much of a bitter pill for the dadha to swallow. And so he dares the students for a rugby match with his own group.
Eega
Nani is a flower decorator, madly in love with his neighbor Bindhu. He gets killed by the baddie, Sudeep, a powerful businessman. Nani comes back as a housefly to get his revenge.
RRR
A fictional history of two legendary revolutionaries' journey away from home before they began fighting for their country in the 1920s.
Bāhubali: The Beginning
The young Shivudu is left as a foundling in a small village by his mother. By the time he’s grown up, it has become apparent that he possesses exceptional gifts. He meets the beautiful warrior princess Avanthika and learns that her queen has been held captive for the last 25 years. Shividu sets off to rescue her, discovering his own origins in the process.
Kalki 2898-AD
In the year 2898 AD, around 6000 years after Kurukshetra war, Ashwatthama gears up for his final battle of redemption at the sign of hope in a dystopian world and Bhairava, a wisecracking and self-interested bounty hunter, tired of the perilous life becomes the hurdle in the process.
Modern Masters: SS Rajamouli
Highlights Rajamouli’s influence on Indian and international cinema, with interviews and behind-the-scenes footage.
Exploring ''Shiva'' Movie After 25 Years
This Documentary is about a film whish released on oct 5th 1989. IT NOT ONLY SHOCKED THE AUDIENCE, BUT IT REDEFINED RULES OF FILM MALKING.
Rainbow
Director Aditya probably made "Rainbow" under the assumption that there would be a golden pot at the end of this one, based of hero Rahul's track record, but sadly that is not the case.
Majnu
Aditya, an assistant director, tries to impress Suma by narrating his old love story. However, while narrating the story, he realizes his true feelings for his ex-lover.
Bollywood and Beyond: A Century of Indian Cinema
Indian cinema has the largest audience of any art form on the planet. With a population of over a billion, India has recently enjoyed an economic boom and its movie stars are treated like deities. Today their fame stretches across the diaspora, in what has become a truly global industry. As Indian cinema celebrates its centenary, Sanjeev Bhaskar travels across the subcontinent to get under the skin of the Indian movie business as never before. From young hopefuls in the slums of Mumbai to superstars like Kareena Kapoor and Aamir Khan, he meets the stars of the silver screen and the people behind the scenes - legendary producers, directors, musicians and choreographers - exploring the stories behind some of the greatest films ever made.
Production
Chatrapathi
Sivaji and his family are uprooted from their community in Sri Lanka and wind up as bonded labourers in Vishakhapatnam. Like his legendary namesake, he rises up to become the saviour of the oppressed.
Magadheera
A street-bike racer chances upon a woman and is struck by visions of a past life where they were both star-crossed lovers in a war-ridden kingdom 400 years ago, while the reincarnation of his romantic rival emerges with murderous intent.
Magadheera
A street-bike racer chances upon a woman and is struck by visions of a past life where they were both star-crossed lovers in a war-ridden kingdom 400 years ago, while the reincarnation of his romantic rival emerges with murderous intent.
Vikramarkudu
A thief's life changes after he discovers a little girl who claims he is her father, and what follows is violence after a gang hunting for his lookalike closes in on him.
Rajanna
The film is set in the Nelakondapalli village of khammam district in Nizam Princely State of Hyderabad of the late 1940s. The feudal society is under the vice-like grip of an aristocratic family and its head, a Dorasani (Shwetha Menon). Mallamma (Baby Annie) is the darling of the village, who is living in perpetual humiliation. They seek solace in her songs. Brought up by Sambayya, an old man, she develops a mysterious attachment to a basil tree which is regarded as holy by the entire village.
Andala Rakshasi
Gautham, a wealthy man, falls for a woman named Mithuna only to learn that she loves another man. However, a sudden chain of events changes their lives forever.
Simhadri
Simhadri, a loyal servant in a landlord's house, leads a secret life as Singamalai, a powerful leader in the state of Kerala.
Maryada Ramanna
Ramu returns to his hometown to sell a piece of land he owns and falls in love with a young woman only to find out that her parents want him dead.
Student No. 1
At his father's request, Aditya attends a law college in the coastal metropolis of Visakhapatnam, although he actually wanted to become an engineer. On the first day he meets the beautiful Anjali. Over time, the female student slowly begins to become interested in the strange newcomer, who acts nice and friendly but doesn't seem to be interested in anything else. The college is notorious for its disobediently and disorderly students. It's not the professors who are in charge on campus, but rather the student leader Satya. He is also in love with Anjali and sees Aditya as a competitor who needs to be put in his place. So Aditya faces multiple problems as he tries to reform the unruly students while dealing with his terrible past that everyone doesn't know about.
Yamadonga
Raja, an orphaned thief, dies while helping a gang in kidnapping a wealthy heiress, Mahi, in exchange of money. He then lands in Yamlok and fights with Yama, the god of death, to get his life back.
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