Combining the exultant sweep of epic period drama with the subtle intimacy of biography in a social perspective, this is a tale of materially impoverished childhood, struggling early manhood and an unrequited first love turned into good musical fortune for Carl Nielsen, one of the great composers of the 20th century. Based on the composer's autobiography, the film itself is designed to soar like a symphony.

There is a cheeky Frida hiding inside all of us. Hideouts, secrets, kissing techniques, and dreams of becoming heroes by exposing evil bandits. Parents are just a nuisance, and when you finally want to take care of serving the guests, somehow it all goes wrong. It's a shame, because you just wanted to do it so well. Lykke Nielsen translated the best of the best from her books into this film. The children were happy to play along and at one point said that they would like to play in more films. That wasn't to be, but the film remains a sweet and funny everyday story that reflects the children's innermost dreams: to be allowed to be themselves without too much interference from outside. Throughout the film, the children go through a lot before they turn the villains over to the authorities, but that's how a children's film should be.

A group of school-mates form a resistance group in nazi-occupied Denmark.

Count Axel is a comedy that takes place somewhere in the Nordic countries in 1783. It's a classic comedy about mixed identities, with strong elements of contemporary humour and satire.

Some students gets locked up in their school and is stalked by a killer. But as time goes by, it turns out that there is more to this than it seems.

Hugo is 18 years old, works in a garage in a provincial town, plays pool with his mates and dates teenage Betina. Hugo wants something else, but he doesn't know what - and it's hard for him to pull himself together. Until he meets student nurse Ester, who is in her 20s.