Jan, a nurse who is also a father, was sexually abused by his father as a teenager. Working in Nuuk, Greenland, he tries to connect to the culture with sex. When someone calls him a Kalak, a Greenlandic word with a double meaning of both a "true" and "dirty" Greenlander, he wears the epithet as a badge of honor. Ultimately, he has to confront his father.

Why do people no longer see this type of stories nowadays? How can this notion be awakened? Which films should begin to feed back from the past and balance them with the current horror?

In Victorian London lives a man of adventurous spirit and great wit, Charles Augustus Howell, art agent, art dealer, conspirator and master of blackmail.

Lennon, a new back-country ranger, travels alone through the dangerous wilderness, hoping to uncover the origins of a tragedy that has haunted her since she was a child.

1980s. Brazilian television exploding in color and auditorium programs not so politically correct. In the middle of this fervor, Augusto Mendes, a young rising actor, seeks his place in the sun. From porn studios to soap operas, he finally finds success and fame when he becomes "Bingo", a TV host clown from one of the audience leader TV shows for children. It turns out that behind the rice powder and red nose, nobody knows who he is.

The story of Brazil’s first emperor, returning to Europe on board the English ship Warspite. The trip makes Pedro conquer his fears and face his life from a personal point of view. He goes back in time and relives outstanding moments of his earlier life – since his childhood, when in 1808 he arrived coming from Portugal with his family, until he left in the dead of the night, in 1831, running away from Brazil.

An older man begins to work in a modern dairy factory. He feels distant and does not identify with the place, the people and even the society. Little by little, he is approaching cows and oxen, transforming into an animal and returning to his ancestry.

After a failed Interpol operation, Tom Fährmann, human rights activist and escape agent, is tasked with finding Sofia Moreno, a whistleblower who has disappeared in Lisbon, and bringing her to a safe house on the Portuguese coast. When Fährmann realizes that Sofia's eight-year-old son Noa is in the hands of a hacker organization that the programmer wanted to fight with her filter program against fake news, his assignment turns into a rescue mission in which Fährmann can no longer trust anyone.

When Elliot comes to the aid of a beautiful hitchhiker named Andrea while traveling on the open road, he is drawn into a world of drugs and deceit his quiet Middle American background never prepared him for. As a relationship develops between the two loners, Elliot becomes convinced that he can give Andrea a good life that will lift her up from the throes of heroin abuse and criminal activity. Ultimately, it is the deep wounds of his own past that prove to be the greatest obstacle in his quest to save his damaged love.

A political party takes over the power of a new World Order, and establishes Dystopia law, which condemns adulterous men to death row. Each case is sentenced by a body called the Antidote. The defendant is not entitled to a defense. There is only a taped statement minutes before each execution takes place.