Barbara is a forty-year-old woman of Polish origin living in Budapest. She is a biologist, a wife and a mother. The death of her woman friend opens her eyes to the fact that she is lonely, unable to find her place.

The relationship of István Kozár and his wife has reached the point where neither is prepared to hear even a single word from the other. The woman travels to the countryside because she needs a little time by herself. The next morning the police inform the man that his wife has died. István, who has fantasized on more than one occasion about strangling the woman, soon finds himself being investigated by detectives who expect a confession from him.

Documentary screenplay, based on letters and writings of the composer Béla Bartók. Musical works composed throughout his life are placed in context alongside the composer's writings from the time. Extracts from all his main works from 1900 to 1945 are included.

Adapted for Hungarian TV. Dreamy Peer Gynt lives in a small Norwegian village high up in the mountains with his mother, Aase, and his grandfather. Peer Gynt's elderly father and grandfather have squandered everything, but the boy could still make the farm prosper with hard work if he wants to work, not just tell stories and hang around. Peer is living in a dream world, wanting to be king or emperor, running after his impossible visions without thinking. He could make a decent marriage with Ingrid, the daughter of a wealthy farmer, but he just dishonours her and runs away. Solvejg loves her with true love and then goes into the woods to hide, but Peer continues to run away to distant foreign lands...

Via the New York Times: "The Hungarian director Gyula Gazdag has transposed the middle section of Balzac's "Lost Illusions" from Paris in the mid-19th century to the Budapest of 1968... it tells of Laszlo Sardi - Balzac's Lucien Chardon - and his efforts to launch his literary career amid the snobbery and sophistication of a big city."

The Christmas of 1944. The Pásztor family (father, mother, four daughters and a grandchild), are spending the holidays at their country farm. Péter, mothers apple of the eye, soon arrives, and has no objections when his soldiers uniform is made to disappear during the night. The Soviet army, arriving in the footsteps of the fleeing Hungarian army, is commandeering. At night, the soldiers turn up at the house where young women are abiding.

A country theatre wants to stage the historical play of the opposition author, who is famous abroad but it is well known, that he is fatally ill. The ministry unexpectedly bans the premier. The author is not informed about the decision and he wants - before his death - the costume rehearsal of the play. The director and his actors set up a false rehearsal at the price of a long night's tedious job.

Inspired by García Lorca's stage poem, this is the story of a young woman who cannot realize her desire for self-realization either in the confines of her Andalusian village or in her relationship with her traditional husband.

The fate of a Hungarian Jewish family throughout the 20th century.

Hungarian-born Laszlo Szabo returned to his native country to play the part of Dibusz in this comedy. When the residents of a large old house learn that it is to be torn down and that they will be relocated elsewhere, an intense game gets underway. As is usual in such instances, the residents will be given new apartments commensurate in size with their old ones. Dibusz sees this as an opportunity to temporarily enlarge his "assigned" space in the condemned building. He wants to be reassigned to an apartment which is larger than his current bathless one-room space. He and a neighbor cooperate to break down the walls that separate their spaces from that of an old woman who just died after a brief tussle. Still not satisfied, he tries to marry one of two spinster women who live together but is rejected. In the course of the film, he has intense encounters of one sort or another with anyone who might be of help to him in his quest.