32-year-old Janete has her life on hold. With her dad ( a reformed colonel from the military police) facing a death state in the hospital, she does nothing but spend his last days beside him. While waiting for the inevitable end of this painful journey, Janete writes incessantly, sometimes on her laptop, sometimes on a notebook.

On a hot summer day, Paloma decides to fulfill her most cherished dream: a traditional wedding in a church with her boyfriend Zé. She is a devoted mother, a hard-working farmhand in a papaya plantation and has been saving to afford the celebration. The priest’s refusal to marry her and Zé will force Paloma to confront the rural society. She suffers violence, betrayal, prejudice and injustice but nothing shakes the faith and determination of this transgender woman.

Julia is a 35-year-old English Literature teacher struggling with depression as she tries to get her life back together again after her long, intense love affair with Antonia. Feeling totally abandoned after she and her enigmatic girlfriend broke up, Julia is thrown into a desperate, painful process. Her life and her values have been tinged with unbearable melancholy and her life's measure seems reduced to out-of-focus fragments of her memories. Her inner turmoil and conflicts hamper a process now made necessary - that of readapting to her new life. It is impossible for her to disguise her pain when she attempts to narrate emotions.

Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.

Eleven filmmakers from São Paulo, Brazil, unleash a vibrant mix of voices in the fourth installment of producer Kristian Petersen's conceptual short-film series, which gives gay and lesbian filmmakers free reign to tell untold stories. Selections include Gustavo Vinagre's "Dykeland," about an all-girl rock band; Ricky Mastro's "Felizes Para Sempre," about a surprisingly happy marriage; and Joana Galvão's animated "Um Olhar."

Late summer of 2007, South of Brazil. Joana, 13, wants to find out why her great-aunt Rosa died at 70 without ever having dated anyone. Encouraged by her friend Carolina, Joana starts an investigation about Rosa’s past. As she confronts the values of her community, Joana realizes that all the women in her family have a secret, while something hidden inside her also reveals. She plunges into her imagination to find answers while a large wind power plant is being built in their small town.

Everyday family life as perfectly normal madness. “As Melhores Coisas do Mundo“ follows a few days in the life of the 15-year-old Mano, who is fighting on two fronts: his parents have just got divorced and he is going through puberty. Mano tries to make his way through life, with its first sexual experiences, his depressed brother and his self-centered parents. It’s a humorous homage to the pitfalls of daily life and the diversity of life.