
Acting
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While in a very dangerous psych trip, a former police officer Hector lives his past in the present while he tries to get free from his anguish and find out his mistakes in order to be forgiven of his sins.

Three metropolitan stories entwine in São Paulo. Would-be actress Marina arrives in the city looking for independence, falls madly in love with Justine, a bisexual rock singer, and is swept up into her wild, edgy lifestyle. Marina shares a flat on Avenida Paulista with Suzana, a mysterious lawyer who begins a relationship with a male colleague who is unaware that she's transsexual. Jay lives a few floors above them. He is a frustrated writer trying to give a meaning to his life by idealizing a stunningly beautiful prostitute, whom he transforms into a sort of muse. Following the frenetic pace of the city, the three "Paulista" characters will experience the euphoria of passion and its downside.

Marina Lenk is an experienced synchronized diver. However, an attack of Tinnitus — an unbearable ringing sound in the ears — drags her from the top of her game to the edge of madness.

In the wake of an argument with Nicholas, Alice has a chance encounter that transforms into a deeply affecting event.

A story about the lies, treachery and vengeance of a middle-class family living on the outskirts of São Paulo. Four characters try desperately to change their lives, but are unable to escape their destiny.

Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.

A pawn shop proprietor buys used goods from desperate locals – as much to play perverse power games as for his own livelihood, but when the perfect rump and a backed-up toilet enter his life, he loses all control.

The dramatic documentary recounts eight stories of love affairs in which those involved experienced some kind of physical or psychological violence. The real cases are interpreted by professional actors. The question raised by the film is whether love can be freed from violence, prompting the viewer to reflect.

Querô is an orphan teenager, living alone near the docks in Santos, Brazil. His mother, a prostitute, died when he was a baby, and he was raised in the bordello where she worked. Believing he rules his own destiny, he refuses to compromise with anyone else, the corrupt policemen always chasing him, the oppressive discipline in the juvenile institution Febem, or the drug dealers who try to lure him. But this independence has a price.

32-year-old Janete has her life on hold. With her dad ( a reformed colonel from the military police) facing a death state in the hospital, she does nothing but spend his last days beside him. While waiting for the inevitable end of this painful journey, Janete writes incessantly, sometimes on her laptop, sometimes on a notebook.

32-year-old Janete has her life on hold. With her dad ( a reformed colonel from the military police) facing a death state in the hospital, she does nothing but spend his last days beside him. While waiting for the inevitable end of this painful journey, Janete writes incessantly, sometimes on her laptop, sometimes on a notebook.

On a hot summer day, Paloma decides to fulfill her most cherished dream: a traditional wedding in a church with her boyfriend Zé. She is a devoted mother, a hard-working farmhand in a papaya plantation and has been saving to afford the celebration. The priest’s refusal to marry her and Zé will force Paloma to confront the rural society. She suffers violence, betrayal, prejudice and injustice but nothing shakes the faith and determination of this transgender woman.

Julia is a 35-year-old English Literature teacher struggling with depression as she tries to get her life back together again after her long, intense love affair with Antonia. Feeling totally abandoned after she and her enigmatic girlfriend broke up, Julia is thrown into a desperate, painful process. Her life and her values have been tinged with unbearable melancholy and her life's measure seems reduced to out-of-focus fragments of her memories. Her inner turmoil and conflicts hamper a process now made necessary - that of readapting to her new life. It is impossible for her to disguise her pain when she attempts to narrate emotions.

Juvenal is a metro driver from Belo Horizonte. Margô, a station controller. Both live in a state of complete solitude – each in a particular way. Juvenal refuses to be alone and strolls through the streets of this metropolis taking comfort by mingling with the anonimous crowd. Margo seeks relief in the virtual world of social networks where she struggles to establish long lasting relations with real persons.

Eleven filmmakers from São Paulo, Brazil, unleash a vibrant mix of voices in the fourth installment of producer Kristian Petersen's conceptual short-film series, which gives gay and lesbian filmmakers free reign to tell untold stories. Selections include Gustavo Vinagre's "Dykeland," about an all-girl rock band; Ricky Mastro's "Felizes Para Sempre," about a surprisingly happy marriage; and Joana Galvão's animated "Um Olhar."

Late summer of 2007, South of Brazil. Joana, 13, wants to find out why her great-aunt Rosa died at 70 without ever having dated anyone. Encouraged by her friend Carolina, Joana starts an investigation about Rosa’s past. As she confronts the values of her community, Joana realizes that all the women in her family have a secret, while something hidden inside her also reveals. She plunges into her imagination to find answers while a large wind power plant is being built in their small town.

Everyday family life as perfectly normal madness. “As Melhores Coisas do Mundo“ follows a few days in the life of the 15-year-old Mano, who is fighting on two fronts: his parents have just got divorced and he is going through puberty. Mano tries to make his way through life, with its first sexual experiences, his depressed brother and his self-centered parents. It’s a humorous homage to the pitfalls of daily life and the diversity of life.
