Two divorced fathers Mathias and Antoine, decide to raise their children together in London. Their lives consist of Sophie the pretty florist secretly in love with Antoine, Yvonne who runs the 'bistrot français' and has a very maternal outlook on life and Mac Enzie, the boss of Antoine's agency who is completley in love with Yvonne despite the big age difference.

Fourty years ago, in May 1981, with François Mitterrand's election, some people were letting themselves dream about a better life while others were predicting the coming of soviet tanks upon the Champs-Élysées. If we gladly remember the turning point of austerity in 83, there were also the wage rises, the fifth week of paid leave, the abolition of death penalty, the decriminalisation of homosexuality, or the advent of independent radio stations. Rare archives and accounts by those who were at the heart of this story give an overview of it and shed light on lesser-known aspects.

Claire et Bruno forment depuis douze ans un couple établi, une "institution". Au cours d'une journée à la campagne réunissant tous leurs proches, ils vont, par jeu, prétendre qu'ils se séparent.

Jean-Pierre Bacri was never happy about anything. But beyond the caricature of the grumpy man, from his apprenticeship years to his death in January 2021, this film tells the story of this quintessential Frenchman: a man turned towards others, an actor by accident, a moralist by vocation, who was left unaffected by flattery and false honors by success, and ready for all kinds of anger when it was necessary to speak out against injustice and stupidity. The film tells the story of how Jean-Pierre Bacri's life changed several times: from Algeria to France when he was eleven years old in 1962; from bank clerk to apprentice theater actor; from Pieds-noirs film star to screenwriter for Alain Resnais; and from Cannes playboy to Agnès Jaoui's mad lover, the most decisive encounter for his life as well as for his work

Bill Murray is considered by many of his fans to be "the coolest man in the world". But how is it that this actor, who for a long time did little more than a few weird performances with strangers and crazy improvisations on TV shows, is now better known than many of his fellow actors with far more impressive filmographies? Although the film "Groundhog Day" was published a quarter of a century ago, the cult surrounding the American improvisational talent has never died down and is now becoming almost irrational. The documentary, peppered with interviews from companions and confidants, follows in Murray's footsteps and tries to fathom where the unique fascination for this man comes from. Starting with the theater in his hometown of Chicago, to the TV shows of the satirical magazine "National Lampoon" and the legendary comedy show "Saturday Night Live" to his checkered film career.

A film in which the director captures the beautiful and accurate qualities of reality when building the energetic portrait of a 16-year-old girl immersed in the macho culture of urban suburban south-west France, just a stone’s throw away from the nearby countryside.

Luis, a family man, and Miguel, his older son, are laborers at a sawmill in the mountains in southern Chile. Solitude and sadness drive Miguel to migrate to the city and start over. Due to the instability in his work and his monotonous existence, Luis will try to change his life, but destiny will want something different.

In 1960s France, 16-year-old Hannah Goldman is experiencing a painful adolescence. Her Jewish background and plain appearance make her an object of ridicule, but she has a talent for music and is determined to fulfil her ambition to play in the school jazz band.

Shortly before the presidential election in a European state, Michel Dedieu stepped in at the last minute to replace his party's candidate, who was forced to withdraw due to a rapidly spreading cancer. The day after the first round, he has very little time to prepare with his close team for the televised debate that will pit him against his opponent. Unpopular with the media and the public, he must improve his image and refine his arguments at all costs.

Pierre, a French professor of quantum physics, inherits an inn from his aunt Jeanne in the Lac St-Jean region. He arrives with his daughter and settles in the small village of Sainte-Simone-du-Nord, home to just 400 residents. The locals, however, greet these “strangers” with suspicion—especially the village mayor, who once had a falling-out with Jeanne, the Frenchwoman. He manages to rally the townspeople to make life difficult for these newcomers from across the Atlantic. Yet Pierre’s good humor is unshakable, and he refuses to be discouraged—even without electricity, heat, water, or a car.