Resonating Surfaces is triple portrait, of a city, a woman and an attitude to life. For the personal story of Suely Rolnik, who is a Brazilian psychoanalyst currently living in São Paulo, involves the Brazilian dictatorship of the sixties as well as the Parisian intellectual climate surrounding Deleuze and Guattari in the seventies. The film is woven through by different themes: the other and the relation to otherness, the connection between body and power, the voice and, ultimately, the micropolitics of desire and of resistance.

Manon de Boer films the dancer Cynthia Loemij, who improvises to Eugène Ysaÿe’s 3 Sonates for Violin Solo.

Antoine Barraud Short Film

A documentary by Wendelien van Oldenborgh.

Back home, Leila was involved in a mysterious car accident that her mind has blocked from her memory. Now it's Summer, and Leila escapes on a Roman Holiday to tend to her wounds in the arms of her sister, Anna. But the two sisters can't connect and if Leila's going to recover she'll have to take the first steps alone

When we’re moving, walking, watching, driving, how do we breathe? European Summer road diary. Back-and-forth with friends, music, Super8, video, poems. It’s an inner travelling hard to finish and give, because that kind of ‘catches’ doesn’t stop itself. As life is unrecordable, I play and replay reflections at many fps (frames per second - or second frames).

Fiona is the manager of a fast-food restaurant. She lives comfortably with her family in the suburbs. In other words, Fiona is happy... until one day she accidentally gets locked into a walk-in fridge. She escapes the next morning, half frozen and barely alive, only to realize that her husband and two children didn't even notice she was missing. But when Fiona develops an obsession for everything cold and icy: snow, polar bears, fridges, icebergs--she drops everything, climbs into a frozen goods delivery truck and leaves home. For a real iceberg.

Calcutta, 1950: Satyajit Ray directs his first film and, by opening his eyes on his country's realities, breaks every convention of Indian cinema. During twenty-five years, Ray's personal photographer Nemai Gosh will be his shadow. This movie tells their parallel destinies, it ventures Satyajit Ray's extraordinary artistic journey through the obsessive lens of Nemai Gosh.

This is the fabulous tale of Grisélidis Réal, prostitute and poet, woven together from images and archive material that conjure up her extraordinary life and world. Her writings chart her days spent in a Swiss brothel and her time as an activist in Paris, tracing her political ideals as this impassioned woman took the world by storm. It’s a pure joy to (re)discover her texts here, as if in an exquisitely revised edition.