A recently released prisoner reunites his criminal colleagues to pull off one last heist.

A dramatization of the Montreal Massacre of 1989 where several female engineering students were murdered by an unstable misogynist.

Depuis une sérieuse dispute avec son frère Fred, qui lui servait de modèle, Viviane, photographe professionnelle, a mis en veilleuse ses ambitions artistiques. Or, le hasard lui fait rencontrer Guillaume, un jeune mécanicien dont la photogénie naturelle l'inspire. Réticent, ce dernier se laisse convaincre de poser pour Viviane qui, retrouvant son énergie créatrice, fait de lui le sujet d'un projet d'exposition. Bientôt, l'artiste constate que le jeune homme, qui vit toujours chez ses parents, porte les stigmates d'un douloureuse expérience familiale, qui le rend asocial et autodestructeur. Tout en cherchant à percer le mystère de Guillaume, Viviane tente un rapprochement avec son frère.

In the mid-18th Century, as England and France battle over control of Canada, an epic romance between a peasant woman and a trapper unfurls

Chantal, Gabrielle and Nelly, three fiftyish women, decide to make the trip to the wedding of an ex together.

When her mother died, Geneviève went back to the village where she was born to sell off the house and return to Montreal. Her sister Manou, a pregnant teenager, refuses Genevieve's authority and leaves for the Île de Sable with her boyfriend.

In a castle, isolated in the heart of winter, lives a strange family: Hugo, in his forties; Eléonore, his wife; Aunt Agathe, Hugo's sister, an old maid attached to traditions; Sébastien, Eléonore's brother, to whom he is devoted with a troubled affection. Frédéric, a young student, is welcomed by the family and stays at the castle for a while to research a family ancestor. A complex game of manipulation then begins, orchestrated by all the family members, during which Frédéric finds love, at the risk of his life...

Louise, a widow, lives with her son Patrice and her daughter Isabelle-Marie in a house in the country. All her affection is directed towards her son, who is socially dysfunctional but very handsome. In contrast, Louise neglects her daughter, whom she considers ugly. However, their small, obsessed universe is soon interrupted by a blind boy and an elegant fop from the outside world.

The relationship between Eric and Stephanie is floundering. They decide to leave for the Republic of Santiago to visit the famous ruins. Once there, they learn that a serial killer rages on steep roads of the region, eliminating drunk drivers.