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How did an intimate film made on a modest budget win a Palme d'Or and attract 4 million viewers in Japan? With its principal craftsmen, including one-man band Hirokazu Kore-eda, we take a look back at a little gem of cinema made... with the family.
Diagnosed with leukemia in February 2019, Japanese competitive swimmer Rikako Ikee returns to her destiny: the center lane, in Hirokazu Kore-eda's short film for skincare brand SK-II.
In 1964, Momoko came by herself to Tokyo from her hometown. She met Shūzō and married him. They raised two children together, but Shūzō suddenly passes away. Momoko is dumbfounded by being alone again. She begins to go to the library and borrows books. This changes her life.
The highly disciplined human resources manager Taro Onizuka starts to heal and change as he raises the kitten he found in a park.
Tsutomu meets Kee outside a Pachinko hall. The two strike up an unlikely friendship.
Meiko and Taneda are a couple graduated from university two years ago. Unhappy with their lives, Meiko quits her job and encourages Taneda to have his band become professional.
The bittersweet events in the lives of people in Hakodate, a regional city connected by a streetcar network. A laid-off man and his younger sister go up a mountain to see the first sunrise of the year. Meanwhile, Haruo has inherited his family's gas business, but things aren't going well in his new endeavor and he becomes increasingly frustrated.
A family believes they are aliens from other planets and tries to save Earth from impending calamity.
Two young men arrive at a deserted countryside train station. They are Tsuboi and Kinoshita, amateur filmmakers on their way to a meeting with a genuine film star who might be interested in appearing in their next production.
Former punk rocker Jonen, now a Buddhist priest, seems to have lost the meaning of his life. His manic depression handicaps him further. Music seems to be the only solution for him to exorcise his demons, against all obstacles and sound volume controllers.
Nobuko tried to be successful as an actress in Tokyo (stage name ‘Nonko’), but wasn’t popular. She married her manager and soon divorced. Now a once-divorced woman in her mid-30s, she returns home to the Shinto shrine that her family runs, to help out with domestic chores. Her father is always in a stubborn rage, her mother is always trying to calm things down. However, Nonko’s married sister, who already has a daughter, scathingly says of Nonko, “It’s all over for her.”