Main character, Rysiek, tries to live through dangerous times of war-torn and later stalinist Poland.

In 1969 a young writer decides to write an essay on a well known Polish writer, who had to leave the country in the 50's, later living, working and dying in exile. He slowly assembles the character and even the exterior appearances of his idol until his own identity tragically disappears.

The final stage of the great artist's life, a stage in which Witkacy decides to destroy himself. A growing sense of danger, the futility of all actions, and fear of what is to come accompany him constantly during his escape from Warsaw to the East at the outbreak of World War II. Everyday facts and events are intertwined in the film with reminiscences and images from his life, supported by the artist's inner monologue. The style of narration and the way of filming make the film a poignant study of the writer's inner disintegration. By emphasizing the painterly quality of the image and introducing dreamlike themes, Kluba captures on screen the characteristics of both Witkacy's playwriting and painting.

Ignacy Jan Paderewski returns to Poland. A journalist who is supposed to describe his arrival is called to the editorial office.

Two workers, bored with their current situation, decide to rob a famous movie director.

A sleepy provincial town with only one "Błysk" bar. If it weren't for the nearby prison, it would be forgotten to the world. This is how guests come. Agnieszka works in the bar and dreams of New York . Krzysiek and Józek love the girl. Józek tells her about a militia van carrying money.

A peasant’s son rises through the ranks of post-war Polish society like none of his ancestors ever could. Moving to the city, he becomes part of a new socialist order. But in leaving his rural roots behind, does he also abandon his soul?

In 2011, a psychiatric patient is visited by a postulate. The patient is a retired head of the "D" Group – a secret department of the Security Service to fight against the Polish Catholic church. Murders, beatings, blackmails, provocations, robberies, those are standard methods of operation for its officers. The postulate wants to unravel the mystery of the death of priest Roman Kotlarz, a parish priest from Pelagow.

A sequel to "Vabank" (1981), introduces the same characters entangled in a duel between a former safecracker and a crooked bank manager.

This is psychological drama by Tomasz Zygadlo begins as a straightforward story. Jan is the host of a nightly talk show in which he counsels people who call in with their problems. He is dedicated to helping these lonely souls but becomes increasingly disturbed when his co-workers and supervisors at the radio station do not appreciate his program; they seem unable to grasp the importance of what he is doing. Aside from that, Jan's private life is frayed around the edges. His wife is a heavy drinker and his mistress has no comprehension about who he is or what he is doing. Jan's frustration over this lack of recognition builds to an explosive level, threatening to upset the balance of his daily life.