Emilka meets the slightly-older Maciek out at a club one night. He shows Emilka—who was brought up by a single mom—a whole new world filled with desire, passion, restlessness and rebellion. The girl moves in with him and at first everything seems just perfect, but gradually Emilka discovers her separate identity, and starts to grow apart from him. When her dream of becoming a singer comes true, Maciek feels threatened. A toxic love game begins, full of lust and jealousy.

The social and independence ferment triggered in the fall of 1980 by Solidarity created an opportunity for dialogue between the nation and the ruling communists. Dialogue, not force. As always, students quickly joined the "rebellion and pressure." They wanted autonomy for Polish universities and their own independent representation, as well as sovereignty, without the "leading role of the party." When these dreams were not fulfilled, at the beginning of 1981, students at the University of Łódź went on their first long strike, which ended in success, and when martial law was declared in December 1981, the same students rushed to protest in the form of an occupation strike, which ended in pacification. The film consists of statements by the protagonists and witnesses of those events, archival footage, and staged sequences.

Bartłomiej, community elder and orator, must choose an appropriate successor, but finds difficulty in the aftermath of a local girl's tragic hit-and-run death. A community's pain reverberates through fractured relationships and the burden of funereal responsibility.

Thirty-year-old nurse Teresa spends her days caring for elderly, dying people. Janusz, a young man she met at an amusement park, enters the life of this bitter and disillusioned woman. Teresa doesn't have the courage to tell him how she feels, and he also has trouble expressing his emotions. They are helped by Julka, a girl from the neighborhood who likes Teresa. She finds a pile of love letters from the beginning of the century in the trash. By forging Teresa and Janusz's handwriting, she starts a love correspondence between them, rewriting fragments of other people's confessions.

A story about the fate of post-war Polish villages. Szymon Pietruszka's life is dominated by Michał, his older brother, who left for the city before the war. There, he became involved in the leftist movement. He returned to his home village after the war in a dignitary's car. Soon, however, he left again, only to reappear a few years later—this time penniless, mired in apathy, betrayed by his ideals. The only person who guesses Michał's secret is Szymon, who is also unable to break down the wall separating him from his brother.

An organised arts teacher has only one main problem in life, which is his father – a painter always going from one party to the next. When the father lives through his second heart attack and still refuses to change his lifestyle, Julius will have to find a way to influence his behaviour.

Sławek Wiśnik, a young, ambitious musician and graduate of the conservatory's organ class, wants to escape from Kaliszewo, a small town near Suwałki, and pursue a career in music. Unfortunately, he does not receive the expected scholarship to study in Heidelberg and has to start a new life in his hometown. His girlfriend, Agnieszka, plans to get married soon, especially since her father, Zenon Nowak, offers Sławek a job running his business. However, this does not suit Sławek, who prefers to play as a substitute organist, and even... as a disco-polo musician.

Ewa and Stefan Hauser, with their children Monika and Wolf, live an average middle-class life in East Berlin in 1969. Under Stasi blackmail, Stefan is coerced into cooperation, prompting the family’s escape attempt to West Berlin. The plan fails: the couple is imprisoned for four years, the children adopted by separate families. After early release and permission to relocate west, the Hausers spend decades fruitlessly searching for their lost children, only to be reunited twenty years later amid Europe’s political upheavals.

Poland in the 80’s was a country ruled by crisis and a sense of hopelessness. Only few knew how to turn crisis into a business. It was a golden time for them. How did they know what would bring them money? How did they operate in a country where almost everything was forbidden?

A Polish historical film, based on Marek Nowakowski's book "Report on Martial Law. Notes from Everyday Life." An interesting procedure of the production is the combination of a classic feature film with animation stylized as a comic book.