Naoya and Katsuhiro are boyfriends, new in their relationship. Things are uneven at first—Naoya is open and free while Katsuhiro is cautious and closeted—but nothing compares to the chaos that arrives when Asako, a troubled woman with a history of psychiatric problems, abortions, and casual sex, asks Katsuhiro to conceive a child with her.

Naoya and Katsuhiro are boyfriends, new in their relationship. Things are uneven at first—Naoya is open and free while Katsuhiro is cautious and closeted—but nothing compares to the chaos that arrives when Asako, a troubled woman with a history of psychiatric problems, abortions, and casual sex, asks Katsuhiro to conceive a child with her.

Naoya and Katsuhiro are boyfriends, new in their relationship. Things are uneven at first—Naoya is open and free while Katsuhiro is cautious and closeted—but nothing compares to the chaos that arrives when Asako, a troubled woman with a history of psychiatric problems, abortions, and casual sex, asks Katsuhiro to conceive a child with her.

A coming-of-age story. Shuji, a Japanese teen, is falling in love with his friend Hiroyuki, however, Hiroyuki is attracted to Kasane, the new girl in their class.

Kanao, a courtroom portrait artist, observes crimes, scandals and the decline of Japanese values without passing judgement. As he and his wife endure the tragedy of their first child’s death, hope slowly unfolds and their love story flickers to life once again.

Tatsuru and Shinichiro’s relationship shifts from casual to complicated as love and emotions blur the lines between their work and personal lives.

Tatsuru and Shinichiro’s relationship shifts from casual to complicated as love and emotions blur the lines between their work and personal lives.

A coming-of-age story. Shuji, a Japanese teen, is falling in love with his friend Hiroyuki, however, Hiroyuki is attracted to Kasane, the new girl in their class.

A depressed widower, a bored housewife, and a gay lawyer all intersect in this triptych of love lost.

Film in the second group of works from the hands-on filmmaking academy Cinema Impact, produced by director Yamamoto Masashi with the participation of 13 up-and-coming directors. An ensemble comedy that adapts a theatre piece performed in 1997 by director Hashiguchi Ryosuke, whose renowned films include All Around Us and Hush!. An aspiring filmmaker visits a film production company the day before a shoot is scheduled to begin. The tangle of participants includes a stylist, a producer angling to raise cash, and an assistant director scrambling to fulfil crazy demands.