Remake of 1949 film

Special forces officer Ajisawa leaves his paramilitary group to take care of his newly-adopted daughter, Yoriko: the sole survival of a bloodbath for which he is responsible. Years later, Ajisawa is forced to return to the scene of the tragedy for his new job as a claims adjuster where he is subsequently arrested for his suspected involvement. But the threat of jail time is the least of his worries as his former organization comes gunning for him.

A tough prosecutor is falsely accused of theft and goes on the run to clear his name. He is assisted by the beautiful daughter of a rich man.

Dr. Sun Zhongshan leads a democratic revolution in China.

In the time of the Tang Dynasty, Yu Xiufeng, a porcelain maker from Mount Meicen, makes a ceramic statue of the Bodhisattva Avalokitesvara to consecrate at Mount Wutai to protect the princeling Li Yi.

Masako, a five-year-old girl living, gets a scratch on her finger. After that, she suffered horrible spasms. The doctor checks on her and arrives at the conclusion that she has tetanus. Her parents have to bear the sufferings of their child. The once peaceful family has changed completely.

Sen Rikyu is a ceremonial tea master who advises warlord Hideyoshi in sixteenth-century feudal Japan. His daughter, the beautiful Lady Ogin, has an unrequited love for Lord Ukon, who has angered Hideyoshi by becoming a Christian convert. Ogin's father Rikyu also displeases Hideyoshi by opposing the warlord's plan to invade China and Korea. When the animalistic Hideyoshi is rejected by Ogin, he threatens her and her father with arrest and worse.

While Keisuke and Jiro were brothers, the characters of the two were opposite. My older brother Keisuke was a sophomore college graduate, a honest and passionate young man, but his brother Jiro was only a student of a ronin who failed in taking the university and was playing. Such two people had a dream. Keisuke traveled wandering at his own trailer house, Jiro became a racer, had a dream of surrounding the world.

A tribute to proletarian author Takiji Kobayashi (1903-1933)

Based on the life of artist Yumeji Takehisa