A neighborhood story with loves and fights.

The film depicts the breakdown of a family that lost all its money to one of the Islamic investment companies that are very common in Europe. Metin invested all his money in one such company, JIMPA, and even convinced his close friends and family to do the same. This company, JIMPA, which had made grand promises, goes bankrupt after collecting the money, and its managers disappear. Many people who invested their money demand accountability from Metin. Like hundreds of thousands of other families who believed in such Islamic investment companies and invested their money, Metin's family has also lost all their savings in an instant. The journey Metin embarked on to resolve the situation would confront him with realities he never anticipated. Metin’s father-in-law, the Imam, warned him. In fact, the Imam seemed to know more than he was letting on.

In 1940s Turkey, the war is recently over, but the wounds are still fresh, and the WWII is going on next door. A different family lives in each room of a mansion. They all lead a scarce life but hold on to life with hope.

This documentary, which carries the spirit of humanism, is the story of those who did not submit to reaction and fascism, who struggled for democracy and human rights by seeking a way out of darkness into light. The main character of the documentary is Osman Özgüven, but it is not a biography, but a documentary of ideas. It tells what he and his comrades did in the name of fundamental rights and freedoms at the cost of paying a heavy price, how they popularised their populist policies, their concrete achievements, their adventures, how they overcame the obstacles they encountered and why they could not overcome some obstacles. These stories will shed light not only on a period but also on the future with their messages, and many of the practices they have realised are of a quality that can be a universal model. This is your story.

The impossible love story between an aging writer who discovers he has a fatal disease and a young woman who studies flamenco.

A woman is searching for a face in photographs taken by a photographer. The face she hopes to meet one day belongs to a watch repairman, but the shop has long since closed.

Eser, who wants to talk to her husband while making a decision about the future of her daughter, decides to go to the island for this. On this occasion, a great reckoning begins between the couple, who come together again years later.

In this deeply symbolic and visually lush film, as far as Tashbash is concerned, he's just a malcontent, a fairly ordinary hell-raiser who has gotten into trouble with the law in the past. Sure, he hates the village headman who is a toady to the region's oppressive landlord, and he dislikes the fact that everyone looks to the headman for help because they have no place else to turn, but he's just an ordinary guy and has no solutions for his fellow villagers. However, after one of them has a vision in which Tashbash is shown to be a manifestation of one of their more important local saints, the villagers unite as one in seeking him out for help with the upcoming visit of the landlord to collect rents which they can't pay. Their adulation and reverence is so persistent that eventually even Tashbash becomes a believer.