After being thrown out of her home, a young woman decides to disguise herself as a man to survive the ruthless Wild West.

Czech refugee Krystyna travels to New York in search of her actress idol and fellow expatriate, Anna. After her own arrival in the Big Apple, Anna finds that celebrity often doesn't travel well, and she must go through a battery of humiliating auditions to try and get work in her adopted land. But when Krystyna and Anna finally meet, they provide a support structure for each other.

Adaptation of an avant-garde play about Rhoda, a hysterical heroine who feels oppressed by the people around her. She suffers through her birthday party, goes to see a doctor, plans a vacation, argues a lot and even breaks the fourth wall.

The 1986 film version of the theatrical production "Dead End Kids" by the NYC avant-garde theatre group The Mabou Mines.

FAR FROM POLAND is probably the first American non-fiction film (Godmilow calls it a "drama-tary") to explode cinema verite's mythic claim to be the only trustworthy mode of representation for discussing the real world, and in particular, social and political issues, on film. Refused a visa to travel to Poland, "Jillski" (her Polish nickname in the film) has to literally re-invent the documentary to deal with the Polish situation and she does so with a particular eye to deconstructing not only documentary's specific claims to objectivity, but also the bourgeois audience's desire to sit comfortably in their seats, feel compassion, feel themselves part of the solution (not part of the problem) by having felt compassion for the poor oppressed Poles, who, Godmilow would argue, are far more acutely aware of their situation and what forces oppress them than the liberal American folk in the movie house.

Multiple overlapping images combine with still-frames of an amorous Puerto Rican filmmaker's telephone conversation with a repairman, coincidentally also interested in film. Written by Lee Breuer and performed by Ruth Maleczeck, both of Mabou Mines theatre company. Music by Bob Telson.

The Android Sisters sing about the alarming increase in U.S. defense spending during the cold war and its effect on various aspects of the domestic economy.

This short film shot in Iceland and New York, which is based on a thirteenth-century Icelandic Laxdeala Saga, features Tilda Swinton as a young woman whose dreams foretell the future.

With deadpan comedy and rich black and white imagery, STATUARY parallels the stories of a reclusive statuary yard keeper (played by the late great theatre artist Ruth Maleczech) and a college grad looking for meaningful paying work.

Featuring music instead of any dialogue and set in a near Kafkaesque future, this loose remake of The Cabinet of Dr. Caligari follows a bureaucrat whom mysterious Dr. Ramirez and his hideous sidekick want as their latest victim.