This anti-communist propaganda film discusses the revolutionary curse of communism in the Soviet-Union shortly before and after the fall of czardom in Russia, told from the point of view of Belarusians in exile. Anti-communist copy in color which has been discovered, restored and printed by the Royal Belgian Filmarchive.

This film tells the story of Wendhorst, a man who is constantly striving to do his duty for his country. He protects Germany’s secrets but when his wife lets them slip, he abandons her and decides to continue to protect his country but this time on the battlefield. He is depicted as a hero battling enemy troops, but also demonstrates kindness and benevolence when he listens to the story of two prisoners. His benevolence is rewarded, as the prisoners turn out to be his wife and his son, whom he has never met. His newfound son decides to join him in battle but is killed fighting, and at the end of the film only Wendhorst comes home to his wife. Wendhorst and his son depict ideal German soldiers whose belief in the glory and good of their country never falters, even to the very end.

It was not just the children who were treated badly by the wealthy Weimar republic. Robert Kramer is released from prison but struggles to adjust to civilian life. His father disowns him, his wife has left him for another man. There is no work. He eventually arrives in a shelter for the homeless, and seeks salvation through Emma, a prostitute.

Four-generation story-saga dealing with the decline of a middle-class Lübeck family. The first adaptation of a Thomas Mann book was also Gerhard Lamprecht’s first major film.

Orphan Enid White becomes the ward of a cruel man. She gets close to her guardian's wife and also to his son, who secretly comes to visit when his father is not around. One evening Enid is whipped by the patriarch, and hours later he is found dead. An investigation follows.