In the daytime, Karen is an insurance saleswoman in Manila, but in the evening she works as an escort in a club.

A Korean taxi-driver interacts both humorously and tragically with his customers and employers in '90s Tokyo.

A female projectionist is haunted by the image of a small boy while a killer prowls the city. The projectionist's relationship with her attractive and successful reporter friend drives the plot deeper into insanity.

The fourth head of the Masashimizu group suddenly died. It was good until his adopted son Haruhiko Ayanokoji, a lawyer, succeeded him, but the gang consisted of only three odd people. Depicts the struggle of Haruhiko, who wears two pairs of straw sandals, a boss and a lawyer. A unique court yakuza story starring Masao Kusakari.

Commentary: The first work in the "Asian Beat" series, in which young directors from six Asian countries, including Japan, compete to create the same protagonist (Masatoshi Nagase). The main character "TOKIO" becomes involved in various incidents when he meets Banana, a Filipino girl who is a terrorist and holds top-secret information that will shake Japan. This work depicts the appearance of TOKIO and his escape from Japan.

Disappearances... What if a magical fairy beyond human knowledge is lurking in the shadows of incidents that could occur in our daily lives? Mysterious disappearances and slaughters in a seemingly peaceful and ordinary port town are so bizarre that all the bodies found have been mummified. Detective Junpei investigates this mysterious case. His father, who was also a detective, disappeared 20 years ago while investigating another strange case.

A man gets involved with two mystic sisters who happened to save him from dying ashore.

The members of the Ameya family are all scammers. After their election scheme goes bust in their hometown, they move from Shikoku to Tokyo and resume their fraudulent activities. Everything carries on smoothly until the eldest and the fourth sons' modus operandi go awry, the mother's lover runs off with another woman, and disasters strike one after another. This film is a collaboration between Yoichi Sai and Goro Kishitani following "All Under the Moon." The family business of the Ameya family is defrauding people. The matriarch, who keeps getting married and divorced, has five children with different fathers. The Ameya family chases after fortune and leaves a trail of trouble on their path.

Three women who come from different backgrounds work hard to earn a living in Manila, but realize that they are victims of sexual exploitations. A television producer is forced to have sex with her boss in exchange for an opportunity to produce a new programme. That almost costs her marriage. A temporary teacher and her colleagues are sent by their principal to give a dance performance at a ministry officer's birthday party. They are gang-raped or almost gang-raped by the officer and his guests. A bus ticket seller accidentally kills one of the men who tries to gang-rape her, but all the bus passengers who witness the scene refuse to go to court to help her defending the charge of murder. Although the three women do not know each other, they end up taking the same bus leaving Manila and heading to the rural area.

Michiko used to work as a live-in part-timer at an izakaya, but suddenly lost her job and her house at the same time due to COVID-19 pandemic. There are no new jobs because of the COVID-19 pandemic, and diners and internet cafes are closed. Michiko is at her wits' end, but there in front of her is a bus stop that stands slightly brightly in the darkness, illuminated only by the streetlights.