A Chinese special force soldier with extraordinary marksmanship is confronted by a group of deadly foreign mercenaries who are hired to assassinate him by a vicious drug lord.

An outstanding criminal police is chased by a smuggling gang for reprisal.

Shan Que'er loves blacksmith Tie Tou, but her mother wants her to marry Qiang Er, the son of a rich family.

A group of heroic women from various walks of life in a village near the Yangtze River stand up and confront Japanese invaders during WWII. The movie is dedicated to the 70th anniversary of the Sino-Japanese War to commemorate the history and promote peace. More than 100 movie stars and artists were involved in the production of the movie.

The true and inspiring story of Brother Guo Jian Nan — the selfless individual who dedicated his life to the Poverty Alleviation Program. The beautifully shot film shows Guo Jian Nan’s journey to a impoverished town to help them achieve a better reality. As the town is built back to life, Guo Jian Nan’s health starts to deteriorate. After spending a lifetime helping others, can Brother Guo Jian Nan help himself?

This is a story of the anti-drug police in the world fighting for the dream of "a world without drugs". Zhou Ting, who had been killed by drugs from a young age, grew up and joined the anti-drug team. She went deep into the drug den to fight the wits and courage of the drug dealers. Faced with the drug lord's biological father, she was merciless and cooperated with the police to wipe out a transnational drug production and trafficking syndicate.

In 1977, one year after Mao died, a French man ( played by Alain Bashung) comes back to China to work as a school teacher with his daughter. He quickly ignores the interdiction of getting in touch with Chinese people and finds himself drawn into mysterious meetings at the Red Pavilion. MY CHINESE SISTER is a movie about pretense and the mystification of reality.

Chinese opera, whether of the Peking variety or not, is a very demanding art-form, requiring decades of study to be even partly mastered. In this film, Yan Yuejun was a Soochow Opera performer who fell afoul of the Cultural Revolution in the 1960s, and who has served his time undergoing compulsory "re-education." Now he is living in Inner Mongolia, driving a truck for a living, which is surely proletarian enough to suit his earlier tormentors.