In 1999, South African emigrant psychiatrist Colin Bouwer murdered his wife in what he thought was an undetectable manner. He was not counting on the skills and tenacity of New Zealand police and his colleagues in the medical profession.

One day, Tim (Roy Ward) stops to speak with one of those men with no apparent income and no apparent place of residence who can be seen on the streets of Amsterdam and who are ready to speak of profundities and mock-profundities at the drop of a hat. This particular man tells him that "people don't die, they get killed." For some reason, this strikes the lonely television repairman as profound. He has been building a ham radio at home out of spare parts so that he will have someone to talk to. Shortly after talking to the street person, his circle of friends is diminished by one when his friend Alex is reported to have killed himself. This in itself is a bit of a mystery, and Tim attempts to make sense of it by talking to a lawyer, Alex's girlfriend, and others.

A female psychologist wants to understand the minds of a confessed serial killer who spent the last five years in a mental hospital because of his state.

In 1941, an Irish documentary filmmaker hears of a man named J.C. Sullivan, who may know the fate of the Hollandia, a Norwegian ship that sailed to Antarctica in 1905 and disappeared. Sullivan was the carpenter on that ill-fated voyage and is the last known surviving crewmember of the Hollandia. When interviewed, Sullivan presents the filmmaker with canisters of old film footage which back up his unbelievable tale.

Vincent, a young Chinese-Kiwi, is rescued from a group of racist punks in a spacies parlour by a mysterious Asian, then drawn into a seedy Triad underworld.

The story of Germany's Great Battleships during the Second World War. With graphic recollections from veterans of the 'Kriegsmarine', this film depicts the rise during Hitler's Naval Expansion program, through to the ultimate destruction by the allies, of The Schlesig Holstein, The Scharnhorst, The Admiral Scheer, The Gneisenau, The Graf Spee, The Tirpitz and finally the legendary Bismark.

Ryder is a psychiatrist who can flawlessly analyze his clients' problems, but is hopelessly alone in solving his own mental distress. One day, Sleuth, a detective, bursts into Ryder's office with the news that Ryder is suspected of murdering three women. Ryder is unaware of any wrongdoing. However, he has received a mysterious letter announcing a murder, and Lizzy, his secretary, has disappeared without a trace. The confessions of a new patient set Ryder thinking. A verbal cat-and-mouse game ensues between Ryder and Sleuth, but it raises more questions than it answers. If the murders have been committed, what is the motive? And if there is no motive, can there be a suspect? Or has everything been staged? Perhaps by Sleuth or Ryder himself?