Production
Roy Skeggs (April 1934 – 29 December 2018) was a British film and television producer. He worked for Hammer Films and is credited, along with Brian Lawrence, for revitalising the company following receivership in 1979.
A short retrospective documentary looking at the making of the final Hammer Films production of the 1970s, "To the Devil a Daughter."
Dr Simon Helder, sentenced to an insane asylum for crimes against humanity, recognises its director as the brilliant Baron Frankenstein, the man whose work he had been trying to emulate before his imprisonment. Frankenstein utilises Helder's medical knowledge for a project he has been working on for some time. He is assembling a man from vital organs extracted from various inmates in the asylum. And the Baron will resort to murder to acquire the perfect specimens for his most ambitious project ever.
Stingy landlord Rigsby manages to scam his lodgers John, an art student, and Philip, an African medical student, making both pay for a room they must share. However Rigsby's favorite lodger, Miss Jones, flirts with Philip rather than him, despite his pitiful attempts at seduction.
An American occult novelist battles to save the soul of a young girl from a group of Satanists, led by an excommunicated priest, who plan on using her as the representative of the Devil on Earth.
The police and British security forces call in Professor Van Helsing to help them investigate Satanic ritual which has been occurring in a large country house, and which has been attended by a government minister, an eminent scientist and secret service chief. The owner of the house is a mysterious property tycoon who is found to be behind a sinister plot involving a deadly plague. It is in fact Dracula who, sick of his interminable existence, has decided that he must end it all in the only possible way- by destroying every last potential victim.
After a spate of murders, the villagers of Schtettel kill the depraved perpetrator, Count Mitterhouse. Fifteen years later the Circus of Nights appeared in the plague-ridden village and its performers include Mitterhouse's mistress, children and cousins. They have come to Schtettel to fulfil the Count's last words, an evil, vicious curse of death and destruction on those who participated in his impaling. The children of Schtettel become the targets for a brutal and devastating revenge as the Vampire Circus rehearses for its most deadly performance.
It took Peggy Heller a long time to recover from the trauma of a brutal physical assault, suffered in her youth. When she married Robert, he provided her with the love and reassurance she craved for and the two settled down in a pretty house in the grounds of the public school where Robert was a master. But the headmaster of the school is not what he seems and Peggy is convinced he means to harm her - is her fear a figment of her tortured imagination or are there forces at work that intend to manipulate her anxieties with fatal consequences?
Hammer Films remain on record as the most consistently successful and influential British film company in history. And while Hammer may be best-known for their notorious series of gory Dracula movies, bloody Frankenstein adventures and chilling, satanic epics, few films had a greater impact on the '60's than the unforgettable genre known as "Hammer Glamours." The "Hammer Glamour" epics delivered their own singular vision of history -- and especially pre-history -- with liberal doses of both flesh and fantasy. With special effects as eye-popping as the actresses, these films created puberty's essential bridge between the thrill of cool monsters and the sensation of gorgeous women. If you're a student of anthropology, this is a world you may not recognize. But if you're looking for a twisted vision of the past that only Hammer can provide, you've come to the right place. The Hammer Glamour legacy lives, and indeed the world has never been the same.
A family on holiday stop to pick up a mysterious hitch-hiker. Originally an episode of British horror anthology TV series, Hammer House of Horror, that later received a feature release in the United States.
In foggy London Dr Jekyll experiments on newly deceased women determined to discover an elixir for immortal life. Success enables his spectacular transformation into the beautiful but psychotic Sister Hyde who stalks the dark alleys of Whitechapel for young, innocent, female victims, ensuring continuation of the bloodstained research. With each transformation Sister Hyde becomes the more dominant personality, determined to eventually suppress the frail, ineffectual Dr Jekyll forever.
Two men who are nextdoor neighbors constantly battle it out over seemingly trivial offenses. Their wives, on the other hand, are best of friends. The two couples attempt to win a 'love-thy-neighbor' competition by lying...