Comedian Rik Mayall died suddenly on 9 June 2014. Mayall's blend of rocket-fuelled physical comedy, surrealism, subversive satire and pompous punk wit left a body of work that spanned four decades. Mayall's characters include the Black Country's investigative nerd Kevin Turvey, Felicity Kendal-adoring student and 'People's Poet' Rik in The Young Ones, ruthless MP Alan B'Stard in The New Statesman, seedy loser Richie in Bottom and larger-than-life characters Robin Hood and flying ace Lord Flashheart from Blackadder. Narrated by Simon Callow, this programme salutes Rik Mayall and celebrates his part in the UK's comedy history using rare and unseen archive footage. It also features contributions from people who knew or admired him, including Michael Palin, Simon Pegg, Lenny Henry, Ben Elton, Alexei Sayle, Christopher Ryan, Tim McInnerny, Jools Holland, Ruby Wax and Greg Davies.

After the criticisms of the 1987 show’s disproportionate focus on music - and the financial disaster of its music-only Festival Of Youth weekend concert in 1988, Amnesty returned to the original formula that had been so successful in the 1976-1981 era with a primary focus on comedy. Pat Duffy was dropped from organising any further benefit events for Amnesty and for the 1989 show, Amnesty hired producer Judith Holder.

If you don’t know about The Ruts, you should. A pivotal UK punk band, Henry Rollins frequently refers to their album The Crack as the “best album ever made” and the band make frequent appearances on his radio show, Harmony In My Head. Guitarist Paul Fox of the legendary punk band The Ruts was diagnosed with cancer, and members of the music community rallied to London to perform a one-night only benefit concert to raise funds to help with Paul’s medical bills. The show, held on July 16, 2007 featured the remaining members of the band (lead singer Malcolm Owen died in 1980) regrouped with Henry Rollins taking over the lead. Additional performances by Tom Robinson, The Damned, Misty in Roots, UK Subs, Splodge, John Otway and the Peafish House Band which featured Lee Harris, (The Blockheads), Tony Barber of The Buzzcocks and Rowland Rivron , who backed Edward Tudor-Pole and TV Smith (Wikipedia.com).

There's No Business... is a 1994 British partially improvised comedy film directed by Kevin Molony and produced by Claudia Lloyd for Prospect Pictures. It stars Raw Sex (Simon Brint and Rowland Rivron) as Ken Bishop and his stepson Duane, and Lee Cornes as their musical agent Dickie Valentino, in their attempt to remake a track by Ken's old band, 'The Nice Twelve' for a TV advert for 'Pinkies', a brand of kitchen gloves made by Mort Clayton (Mac McDonald). Alexander Armstrong (Tim) and Sam Graham (Fergus) work for the fictional advertising agency Sprote and Sprote. The film takes its name from the 1954 film There's No Business Like Show Business which itself borrowed the 1946 song of the same name by Irving Berlin, written for the musical Annie Get Your Gun.

A week in the life of Redditch investigative reporter Kevin Turvey. As you would expect, not a lot happens!

Dawn French and Jennifer Saunders perform a live comedy show in London's West End at the world famous Shaftesbury Theatre, in front of a hugely appreciative sell-out audience. Over an hour of hilarious sketches and gags, with support provided by Raw Sex (Simon Brint and Rowland Rivron as Ken and Duane Bishop).

Whilst delivering toilet rolls to a recording studio, small-time crook Keith pockets a demo tape by the newly disbanded group Toy Department, which he takes to a promoter, Brian. Together they have a chart hit with the 'mystery' group but complications arise when Brian wants a live tour.

In the tradition of the acclaimed series of British concerts known as The Secret Policemen's Ball, Amnesty International celebrates its 50th Anniversary live at Radio City Music Hall.

Alex is a disgruntled waiter at a snobby exclusive restaurant who falls on hard times. Forced to deal with the contempt and disgust of the upper class, Alex & cohorts attempt to go on a rampage. Meanwhile, General Karprov and Spider plot to involve the inept anarchists into their plans to derail the prime-minister-to-be's campaign.

This documentary explores the legacy of one of the most notorious British sitcoms of all time. Launching alternative comedy onto our screens, the show made household names of its performers and writers and proved to be a huge influence, despite the BBC reportedly being baffled by what they'd commissioned back in 1982. Never before had a flagship comedy show contained so much violence, depravity and anarchy - it was a shot across the bow to mainstream comedians that things would never be the same again.