Guido Anselmi, a film director, finds himself creatively barren at the peak of his career. Urged by his doctors to rest, Anselmi heads for a luxurious resort, but a sorry group gathers—his producer, staff, actors, wife, mistress, and relatives—each one begging him to get on with the show. In retreat from their dependency, he fantasizes about past women and dreams of his childhood.

Inspector Tellini investigates serial crimes where victims are paralyzed while having their bellies ripped open with a sharp knife.

The story of Emma, a courageous woman who left home at a very young age. Emma's first job is working in a paddy field. There she meets Paride, and a romance begins. But amid a workers strike, Paride dies, leaving Emma alone and also pregnant. From this point on Emma struggles for survival.

A documentary on Fellini’s lost alternate ending for 8½

Modesty Blaise, a secret agent whose hair color, hair style, and mod clothing change at a snap of her fingers is being used by the British government as a decoy in an effort to thwart a diamond heist. She is being set up by the feds but is wise to the plot and calls in sidekick Willie Garvin and a few other friends to outsmart them. Meanwhile, at his island hideaway, Gabriel, the diamond thief has his own plans for Blaise and Garvin.

A journalist finds himself on the trail of a murderer who's been targeting people around him, while the police are considering him a suspect in their investigation.

A group of Italians take a flight to Sweden: among them there are the tourists, and the immigrants.

A woman whose husband was murdered five years previously, is stalked by his killer, who wants to eliminate her as a potential witness. What he doesn't know is that the shock of his murder caused her to have amnesia, and she doesn't remember anything.

Absurdism’s king of comedy, Luigi Pirandello, adapted a 1915 short story he wrote titled “Signora Frola and Signor Ponza, Her Son-in-Law” into a play two years later. Right You Are (If You Think Are) was presented in dramatic form as a “A Parable in Three Acts.” As in any instructive parable, the characterization is put fully into the service of delivering the lesson and thus creates mysteries about motivation that remain unresolved by the conclusion.

Leone, a very rational man, silently accepts that his wife Silia is cheating on him with Guido. When a well-known swordsman offends Silia, the woman asks her husband to make amends by challenging him to a duel; Leone accepts, but sends Guido in his place.