Young Beetle Hobbs wants out of his small town and sees his ticket in Grady Wilson. Set in the desolate Smoky Mountains, Grady has recently left the big city to become the proprietor of a resort lodge. When Beetle joins Grady's staff, he gives new meaning to the adage 'keep your friends close and your enemies closer'. A stunning ensemble cast steer this original tale of chilling suspense as different shades of gray ignite a battle between good and evil. FLIGHT OF THE CARDINAL possesses a rare combination of heart and soul with edge-of-your-seat suspense

The New York Times recently called Dmitry Krymov “one of the world’s finest theatermakers.” For this new adaptation of The Cherry Orchard, the world-renowned Russian director collaborates with the Wilma’s acclaimed HotHouse Acting Company to reimagine one of theater’s enduring masterworks. What is it like to lose your home? The Cherry Orchard centers around a Russian family grappling with the potential foreclosure of their estate, and a community in transition as the old makes way for the new. Volleyballs and sunflower seeds fly, while a giant mechanical train station flipboard tells the future … plus more surprises await in Krymov’s inventive re-interpretation. One family is in danger of losing their home, their comfort, and their power. What comes next … and who will profit?

Two men, caught in the chaos of contemporary America. One man (portrayed by Anthony Martinez-Briggs), working inside a hospital during the COVID pandemic, comes to grasp the volatility of what it means to be “essential.” The other (portrayed by Ross Beschler) frantically parrots President Trump’s rhetoric. This digital production, directed by Wilma Artistic Director Blanka Zizka, takes its inspiration from absurdist theater (such as Beckett’s "Not I"), and the Wilma HotHouse Company’s bold physical performance style. The title, Code Blue, refers to the hospital code indicating an emergency when a patient enters cardiac arrest.

Famed Italian director Romeo Castellucci re-envisions his groundbreaking 1997 production Giulio Cesare (Julius Caesar) as a series of “fragments” rearranged and positioned against each other—a clash between the ethereal and the obscure, the power of rhetoric and language stripped to its source.