Roscoe Holcomb was one of America’s greatest banjo players, a musician whose haunting vocal intonations, Old Regular Baptist in tradition, gave Bob Dylan and Eric Clapton the chills and gave John Cohen’s 1963 film High Lonesome Sound its name. Drawing on footage he shot in 1962 and 1974 in Daisy, Kentucky, Cohen made this incredibly moving portrait of Holcomb, for whom the holy spirit always rose up plain and true: “Sometimes, you know, you feel like playing certain songs. I feel like playing the old banjo, I feel like playing some religious songs. I sit down, I feel lonesome. I could play you some of these old religious songs and it just fits me plumb through. Or I could pick up the guitar—the guitar is mostly for the blues. It’s just according to what a man feels, what he’s got on his mind.” His body ravaged by a life in the coal mines and sawmills, Roscoe Holcomb died in 1981 at the age of 68. — Museum of Modern Art

Remembering the High Lonesome is the story of the making of a classic documentary film. It is also a profile of filmmaker, photographer, artist, and musician John Cohen. Through interviews, as well as Cohen's own photographs and scenes from his classic film The High Lonesome Sound: Kentucky Mountain Music, filmmaker Tom Davenport focuses on Cohen's journey to rural Kentucky in the 1950s to document the lives of the people there and his "discovery" of the musician Roscoe Holcomb. Remembering the High Lonesome also examines the birth of a new artistic ethic and counterculture through John Cohen's involvement with the Beat Generation, abstract expressionist painters, and the Folk Music Revival, and explores the role of an outsider documenting the life and arts of an Appalachian community.