
Acting
Born in Marylebone, London, versatile character actress Rosalind Marie Knight was born to theatrical parentage. Her father was the accomplished thespian Esmond Knight. Her mother, the comedienne Frances Clare, often featured in Ivor Novello operettas. Rosalind's interest in theatre was first kindled at the age of six when she and her mother attended a staging of Novello's "The Dancing Years" at Drury Lane. Rosalind was evacuated to the countryside with her nanny during the war years. In 1949, she accompanied her father to the Old Vic Theatre and became enthralled by a production of "The Snow Queen", primarily performed by drama school novices. The following year she won an audition and spent two years at the Old Vic Theatre School. This was succeeded by a lengthy apprenticeship in repertory which led to her gaining further experience as assistant stage manager for the West of England Theatre Company, the Midland Theatre Company in Coventry and the Piccolo Theatre Company in Manchester. In 1955, she made her first impact on screen as a lady-in-waiting in Laurence Olivier's Richard III (1955), which also featured her father in the cast. A year later, having come to the attention of a movie producer, she played Annabel, one of the schoolgirls, in Blue Murder at St. Trinian's (1957) (decades later, she would return as a teacher in the sequel The Wildcats of St. Trinian's (1980)). This set the tone for a number of subsequent comedic roles which included a couple of early Carry On's and the Tony Richardson-directed Tom Jones (1963), in which she played the giddy Mrs. Harriet Fitzpatrick. While doing the Carry On films she was not under any form of contract and was paid a mere $50 a week. In 1957, Rosalind joined her father in an early BBC adaptation of Nicholas Nickleby (1957) as the spiteful Fanny Squeers. In a later miniseries based on Charles Dickens, Martin Chuzzlewit (1964), she was a splendidly shrewish Charity Pecksniff. During her prolific career, Rosalind relished every opportunity to portray a diverse range of characters, good and bad, from servants to princesses (Alice of Battenberg in The Crown (2016)) to old maids (Aspasia Fitzgibbon in The Pallisers (1974)) to wealthy socialites (Margot Asquith in Nancy Astor (1982)) and unpleasant aristocratic dowagers (Daphne Winkworth in Jeeves and Wooster (1990)). She even essayed a retired prostitute turned landlady in the sitcom Gimme Gimme Gimme (1999). In addition to a staple of period dramas she guested in numerous episodic TV dramas, including Poirot (1989), Dalziel and Pascoe (1996), Heartbeat (1992), Marple (2004), Midsomer Murders (1997) and Sherlock (2010). All the while, she remained heavily engaged in theatrical work with the Old Vic, The Royal Shakespeare Company and the Royal Court Theatre, her last appearance being the strict, incorruptible governess Mrs. Prism in Shaw's "The Importance of Being Earnest". Rosalind was married to director/producer Michael Elliott from 1959. In 1976, she helped rebuild and re-open the Royal Exchange Theatre in Manchester, of which her husband was involved as one of five artistic directors. She was also a patron of the Actor's Centre in London and the Ladies' Theatrical Guild (a charity founded in 1891). Rosalind Knight continued to perform as an actress right up to her death on December 19 2020, at the age of 87.

Will Freeman is a good-looking, smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms, Will gets a hilarious lesson about life from a bright, but hopelessly geeky 12-year-old named Marcus. Now, as Will struggles to teach Marcus the art of being cool, Marcus teaches Will that you're never too old to grow up.

On the eve of World War II, zany heiress Amanda Kelly travels by train to Switzerland. While passing through Germany, she meets a sweet elderly lady, who suddenly vanishes. Distraught, she questions her fellow passengers who claim that the woman was never there. Unsure if it's all in her mind or if there's a more sinister plot afoot, Amanda teams up with photographer Robert Condon to discover the truth.

When a well-loved headmaster decides to retire, his scheming pupils have other ideas. The cunning boys unleash a campaign of practical jokes, armed with gin, itching power, and bombs!

A bittersweet drama about a street party held in a suburban London square to mark the 1981 Royal Wedding. After two years of the Thatcher administration there is recession and unrest, but the economic boom is just around the corner. Meanwhile, there's the fairytale wedding of Charles and Diana to celebrate.

Celebrating twenty years of classic Carry On films, two of the films’ best-loved stars, Kenneth Williams and Barbara Windsor return to Pinewood film studios to unwrap some rib-tickling moments from the series. From the original, military mayhem of Carry On Sergeant, through to the really ancient archaeological gags of Carry On Behind, our saucy hosts get their titters out for this laugh-a-second gallop through the most successful series of British comedy films ever made.

Two sets of identical twins are accidentally switched at birth. One pair, Phillipe and Pierre DeSisi, are aristocratic and haughty, while the other, Charles and Claude Coupé, are poor and dim-witted. On the eve of the French Revolution, both sets find themselves entangled in palace intrigue.

When a law-abiding demolition expert is duped by a gang of criminals into helping them he is caught and jailed. When he is released he goes straight and then notices a leading citizen in his town is cheating his neighbours.

Three young men, a scriptwriter, a producer and a director are called in by Benny U Murdoch, an exotic movie producer. He wants to make a new erotic movie starring a big woman - the "Eskimo Nell" of the title. However problems start from the beginning, the scriptwriter is a virgin, a lover of penguins and hasn't a clue on how to write an erotic movie, each of the three main backers want a different type of movie - a western, an erotic and a kung-fu movie with different people in the main part. However problems really start for the three when Benny runs off with all the money and they have to make three different versions of the same film and try not to let the backers and stars know what has happened. And this is made harder when there is a clean-up-filth society breathing down their necks....

A kindly shop owner whose overwhelming gambling debts allow a greedy landlord to seize his shop of dusty treasures. Evicted and with no way to pay his debts, he and his granddaughter flee.

In Haven Hospital, a certain men's ward is causing more havoc than the whole hospital altogether. The formidable Matron's debut gives everyone a chill every time she walks past, with only Reckitt standing up to her. There's a colonel who's a constant nuisance, a bumbling nurse, a romance between Ted York and Nurse Denton, and Bell wants his bunion removed straight away, so after a couple of pints, the men decide to remove the bunion themselves!
