University teacher investigates the life of a famous Brazilian musician, trying to discover the secret of mass communication through his songs and performances, while ultimately falling in love with one of his groupies.

Nothing Like Before delves into the creation of the Clube da Esquina Album (Brazil, 1972). Considered by many music critics one of the best albums of all time, it presented to the world musicians like Milton Nascimento, Lô Borges, Toninho Horta, Beto Guedes and Wagner Tiso.

Dorival Caymmi was one of the inventors of the Bahian imagination. In his 94 years of life, Caymmi composed, sang, wrote, illustrated and thought about his Bahia, even far from it. His family, partners, friends and fans remember his history, which made him one of the pillars of Brazilian culture.

Lô Borges works on an album of new songs while traveling around Brazil on a tour that brings back the repertoire he composed in 1972 for Clube da Esquina.

It portrays the work of Carlos Filho, Cafi, a photographer from Recife, who for more than 40 years has dedicated himself to recording a large part of the events of dance, theater and Brazilian popular music. Recordings, concerts, tours and rehearsals by important artists passed through Cafi's lens.

In December 1997, in Rio de Janeiro, Minas Gerais composer Milton Nascimento brought together friends and career partners for the special "A Sede do Peixe" (The Thirst of the Fish). Featuring Caetano Veloso, Alcione, Skank, Nana Caymmi, and Gilberto Gil, the film is a cultural treasure, portraying unforgettable, often lighthearted moments in the career of one of the greatest icons of Brazilian Popular Music.