
Acting
Romanna Lobach was already acting in films at 11 years old and by 2013 she had graduated from Athens Conservatoire Drama School with a B.A. in acting. She has performed in over 25 feature films and shorts that have premiered in festivals such as Cannes, Venice, Rotterdam, and New York, among others, winning awards at festivals in Greece and abroad for some of her most recent work; Olla (Ariane Labed, 2019), I don't want to forget anything (Vaggelio Soumeli 2021) and March 4 (Dimitris Nakos, 2015). Her work at the McCann advertising agency as a copywriter and also working for various production companies in a multitude of different posts, equipped her with invaluable experience and training. In 2018, she founded AKRAN Creative Company, a boutique production house where as a producer and creative director she's developing multiple projects with emerging directors of bold and unique voice. The past two years, she attended European Short Pitch, Torino Short Film Market, Brussels Co-Production Forum and Crossroads Co-Production Forum at Thessaloniki IFF with projects in development, while she has finished 9 films in two years, with the most recent of Manolis Mavris, Midnight Skin, which premiered in 62nd Semaine de la Critique in Cannes 2023. Romanna is an alumna of Berlinale and Sarajevo Talents, Locarno Industry Days and New Producers Room in Cannes Court Métrage, spotlit producer at Marche du Film 2023 and a member of the Hellenic Film Academy and Hellenic Producer's Association.

Marialena is on the phone with Magda. The two sisters are on their way to the funeral of their mother.
Fanny, a young nurse working at a big public hospital, is trapped every night in the same obsessive nightmare. She dreams she turns into a tree. While stuck to a lonely everyday routine she realises that her nightmare goes beyond the imaginary and gradually infiltrates her life.

An old ill man, the young woman who looks after him and his unemployed middle-aged daughter, are tasked with taking God's place, who appears to be absent.

Strangers in their own birthplace, 16-year-old Danny and 18-year-old Odysseus cross the entire country in search of their Greek father, after their Albanian mother passes away.

A post-modern theater adaptation of a classic Greek tragedy takes place in a central theater of Athens. Like every night, the audience take their seats and the play begins. Suddenly, the lights on stage go out. A group of young people, dressed in black and carrying guns, come up on stage. They apologize for the interruption and invite people from the audience to participate on stage. The play resumes with a main difference; life imitates art and not the opposite.

History of modern Greece, so full of adventures: division, national turmoil, disaster, occupation and dictatorship together with the everyday stories of two families and the persons around them, their desires and destinies, through the eyes of a painting that changes hands and owners οver the years.

Vassilis Galis is a young man having trouble growing up. His mother was diagnosed with cancer when he was a boy but she got better. Subsequently her vision of life was changed radically and she left her family to embark on new adventures. Vassilis hasn’t seen her since but her absence has left a telling mark on the whole family. His father hardly speaks anymore and his brother, now a famous movie star, is afraid of emotion. Vassilis has problems reaching out to other people and the only steadfast part of his life through the years has been his dog, Roz. When Vassilis meets eleven and a half year old Snezana, a strong friendship begins to develop and Vassilis starts descending ever deeper back into his childhood realm.

An ill teenager believes that he can live normally. He meets a girl. They are both fans of the music group "Mesecina".

Yawth is a story about the social media generation. On a typical Friday night Vicky wants to reach the party her crush is going to, but the night does not go as planned.

After answering an ad on a dating website for Eastern European women, Olla leaves Ukraine and heads to French suburbia to move in with Pierre, who lives with his elderly mother. However, the suburbia cannot temper her desires, and nothing goes as expected.
Fanny, a young nurse working at a big public hospital, is trapped every night in the same obsessive nightmare. She dreams she turns into a tree. While stuck to a lonely everyday routine she realises that her nightmare goes beyond the imaginary and gradually infiltrates her life.

Katerina insists on swimming in the sea, even though it is strictly prohibited. She spends all of her money paying fines, and ultimately has no choice but to ask her mother for help, putting their strained relationship to the test.

Sisters September and July share an intense bond, speaking in a secret language and keeping the outside world at a distance. After September is suspended from school, their mother brings them to a remote house on the Irish coast—where July begins to resist her sister’s increasingly sadistic control.

Having been recently discharged from rehab, 26-year-old Phoebe takes her young son on a road trip that will determine their future.


