Honza Marak has long since abandoned a career in IT and has bought a cottage on the outskirts of a small village, where he’s settled in with his wife Marketa, daughter Anyna and son Sayen. He works in the woods as a forest labourer repairing roads and enclosures, cutting wood to sell and assisting the foresters. Marketa earns a living as a masseuse and alternative healer, making use of various mind-altering plants and mushrooms, which leads to conflict with the old inhabitants and eventually with drug enforcement. Daughter Anyna attends a distant school where her grades deteriorate as she wanders the woods learning from nature rather than from her textbooks.

Honza Marak has long since abandoned a career in IT and has bought a cottage on the outskirts of a small village, where he’s settled in with his wife Marketa, daughter Anyna and son Sayen. He works in the woods as a forest labourer repairing roads and enclosures, cutting wood to sell and assisting the foresters. Marketa earns a living as a masseuse and alternative healer, making use of various mind-altering plants and mushrooms, which leads to conflict with the old inhabitants and eventually with drug enforcement. Daughter Anyna attends a distant school where her grades deteriorate as she wanders the woods learning from nature rather than from her textbooks.

The fates of several women intertwine as they navigate professional setbacks, repair dysfunctional relationships and take control of their lives.

The distinctive artist, typographer, and writer Josef Váchal is known to the public primarily for his Blood Novel. The surrealistic exuberance of this defense of 19th-century pulp fiction caught the attention of Jaroslav Brabec and his colleagues, who found a corresponding image of 20th-century "trash." The authors' interest focuses primarily on the silent film era, with a journey through the history of cinema continuing through the advent of sound film to the present day (auteur cinema of the 1960s, modern horror), formally employing techniques such as tinted film. The versatile parody intertwines a colorful plot with the story of the author (Váchal/Paseky), who comments on and creates his book, and is further split in the plot into the characters of Fragonard and the Master. As with Váchal, reality increasingly enters the fiction, so that the only "happy ending" turns out to be the artist's finished work.

Five married couples travel to a luxury resort to rekindle their relationships but quickly find themselves tangled up in a possible police investigation.

The film intertwines several stories connected by one important football match between Sparta and Slavia.

The comedy unfolds in the attractive environs of the never-ending filming of a TV series. The performance opens up with wonderful interplay of relationships, characters, situations, conflicts, big hopes and ambitious plans interwoven with a love motif. At the end of this bizarre story we are surprised by the harmony created from the discord of authentic human emotions.

As preteen, aspiring filmmaker Tomas trains his new camera’s lens on his own world, shocking family secrets around him come into sharp focus.

A report is fabricated accusing a successful businessman, Patrik Grossmann, of racism. When the media launches a full-blown campaign against him, the atmosphere gets so thick that anyone can kick him while he's down just to prove their morality.

This movie is about strange relationships in one "noname" gymnasium in Czech republic.