The story of a free-spirited girl who was born in the wrong place at the wrong time. In the 1920s, even the somewhat more tolerant people of the Netherlands (relative to the rest of Europe) did not easily suffer the open flouting of the rules of society. Cheerful and optimistic, Angela (Barbara Hershey) defied the conventions of her conservative Dutch family by traipsing about the countryside with her lover, living on what turned up each day. However, even for the sunniest of optimists such an idyll can have tragic consequences.

The story of a small and conservative West-Flemish village opposing the construction of a bridge over the Scheldt.

Small-town doctor Angelino falls in love at first sight with schoolteacher Irene. Bram the Builder is in love with gypsy girl Katja. Neither of the two men know how to convey their feelings to the objects of their affection.

Placide's dad tells him on his deathbed he'll haunt Placide if he doesn't find a wife soon. Placide cautiously agrees, but he only wants to settle for a very beautiful woman. That might be easier said than done, since he is a vagabond. When he accidentally enters a photo shoot, Placide meets Sarah. He falls in love, but she is way out of his reach.

A rainy evening in the harbor of Antwerp. A man named Laarmans is on his way home even though he doesn't want to. Three lost Eastern sailors are looking for a woman named Maria Van Dam and ask Laermans to show them the way. He decides to help them find this mysterious woman.

A small town doctor gets a visit from a former study-friend. He doesn't know this former surgeon has become a junkie that wants to steal his morphine.

Isidoor lives with his niece and a housekeeper in a little provincial town. One day he receives a letter: he is to be the heir of a distant and wealthy relative. There is only one condition: he has to go and live for a year in "Home lux et vita", otherwise he will loose his inheritance. The home is a home for abandoned children and now this bachelor becomes the father to 40 children...

The deeply socially engaged documentary filmmaker Frans Buyens had long dreamed of making the transition to fiction filmmaking. The experimental Ieder van Ons was a first attempt in that direction. In essence, it was an inquiry film shot in a cinéma vérité style about appearance and reality in social commitment. With Ieder van Ons, Buyens wanted to jolt the viewer’s conscience and make them aware of the duty to face the truth and to act accordingly. To achieve this, he combined a fictional plot with documentary scenes. On the one hand, the film contains acted sequences about the awakening conscience of a ruthless political figure; on the other hand, Buyens himself appears before the camera to introduce several actors, their characters, and the situations in which they are about to become involved.

A miserable man owns a secondhand store. He is mean to his customers and to his assistant. One day, a boy and a girl come into the shop to sell a golden watch they are very fond of.

Billy, a 20-year-old working-class youth, returns from military service hoping to build an independent life. Instead, he clashes with his father over his future and reluctantly takes a job in construction. After his friend Mike, a migrant worker, dies in an accident caused by the contractor’s greed, Billy lashes out in anger and loses his job. At the same time, his relationship with his girlfriend Mieke begins to fall apart when she is suspended from her teaching position.