Depressed Alain Leroy leaves the clinic where he was detoxified. He meets friends, acquaintances and women, trying to find a reason to continue living.

Four young women embark on a journey of sexual awakening.

Henri Serin (Jean-Pierre Marielle), an umbrella salesman, leads a quiet life between his work, his family and his passion for painting. During his many business trips, Henri indulges in a few amorous escapades, which provide a welcome change from the tiresome daily routine his bigoted wife locks him into. One fine day, Henri decides to drop everything and live on love and fresh water. He ends up in Pont-Aven, where he meets Émile, a local painter imitating Gauguin, with whom he shares his drinking and other feminine attractions.

Married to Jeremie, Marie wants desperately to have a child. She has a 20 year old daughter from a former marriage with the police commissioner. When the gynecologist confirms they are unable to conceive a child together, they opt for adoption. However, it is a very lengthy and difficult process. When her daughter meets Joanna, a pregnant teenager willing to give up her child for adoption, Marie is thrilled. And so Joanna moves in...

In order to appoint his new right-hand man, a CEO decides to organize a weekend with all the candidates.

The film narrates a utopian abandonment, consensual and festive of the market economy and high productivity. The population decides on a number of resolutions beginning with "We stop everything" and the second "After a total downtime will be revived-reluctantly-that the services and products including lack will prove intolerable. Probably: water to drink, electricity for reading at night, the TSF to say "This is not the end of the world, this is an 01, and now a page of Celestial Mechanics". The implementation of these resolutions is the first day of a new era, Year 01. The Year 01 is emblematic of the challenge of the 1970s and covers such diverse topics as ecology, negation of authority, free love, communal living, rejection of private property and labor.

In Saint-Rupert, Basse Lozère, the son of a family of garbage collectors, Pissenlit, who has played the mentally deficient since childhood so as not to be forced to go to school, is in fact a prodigy in mathematics: by reading a book found in a trash can, he revolutionizes a mathematical theory. Meanwhile, his father is making a computer from objects recovered from garbage cans, and capable of composing musical "hits" that may make him a star.

Three couples—each made up of a man named Roger and a woman named Jeanne—are close friends who plan a convivial dinner gathering. In a humorous twist, the wives unexpectedly fail to appear, leaving the three Rogers to navigate the evening on their own. As they share a meal, the absence of their partners sparks a series of reflective and witty conversations where memories, philosophies on love, life, and death, and existential musings take center stage, transforming an ordinary night into an intimate exploration of friendship and the human condition.

A bunch of actors (mixed theater gangs from Le Café de la Gare and Le Splendid) are reunited in a movie theater to watch an anonymous porn flick. Their reactions to the images. All dialogs have been improvised.

A quiet and inconspicuous man rents an apartment in Paris where he finds himself drawn into a rabbit hole of dangerous paranoia.