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Paul a Mayerling, un ritratto is a personal and choral account of a life inextricably linked to cinema. In the mid-2000s, chance led me to meet Paul Vecchiali online. From that moment on, a relationship was born, marked by lively discussions about cinema and life.
A musico-drama that takes place in a transvestite cabaret that wants to open up to Ramatuelle. The mayor is enthusiastic but his city council, much less. They will hire henchmen to sabotage the project.
Two boys meet a girl, and the three of them go wandering together; they stop in a house, and there the past mixes with the present. Cannes Film Festival 1973.
Louis is a family man, with a wife and young daughter, who discovers in mid-life that he is gay.
Émile targets women he believes are too depressed to go on living. As multiple victims fall to his suffocating white scarf, an inspector resorts to unorthodox methods to get him with the assistance of a potential victim.
When he inherits the family house and property after his mother's death, aspiring novelist Fane returns home with his bimbo girlfriend Lilas. He must care for his idiot brother Mo and contend with a greedy garage owner who covets Fane's property to expand his business. When efforts to buy the property are fruitless, the mechanic incites the townsfolk against the strange trio.
A well-known politician receives a tape showing her son in a porno movie. She decides to hire a female detective to figure out who is trying to blackmail her.
In a supermarket parking lot, two shoppers push a shopping cart to their car. A helpful man approaches them. Friendly at first, his behavior soon becomes strange, invasive and aggressive.
Simone, a leather-clad porn theater worker, spends her shifts bantering with her coworker and observing eccentric customers in the cinema’s lobby. Tonight, she clocks out and heads off to meet her girlfriend, a waitress at a lesbian club. Later, she’ll encounter a lonely man on the prowl.
Laurent is seeking a path in life after living his childhood and teenage years in laziness. He has a conflictual relationship with Rodolphe, his father, and both are too emotional to express their mutual affection. Despite the women of his life hanging around him , Rodolphe has but one obsession: meeting Marguerite again, the first love of his life.
One of the last productions for Diagonale, before De sueur et de sang, the feature film with which Vecchiali would close the cycle of the French production company.