Richard Wagner is working on his new opera "Tristan and Isolde". Mathilde Wesendonck and her husband, the silk-merchant Otto Wesendonck venerate Wagner. Mathilde is turning from a loving mother into a muse of the new music.

After the birth of her first child, Diane disappears in an unknown city, but her body reawakens her memories and what she is fleeing from.

Cem and his five best friends have been a close-knit community since childhood. For him, they are his true family. But Cem is changing. He becomes more brutal and harder, threatens his friends and terrifies their relatives. After a stay in a psychiatric ward, he does not take the prescribed medication. Threats of violence and aggressive outbursts become more and more frequent. What happens inside him remains incomprehensible to the outside world. Only with Lara is he different. His world is alien to her, which is perhaps the reason why he likes her so much. Cem's friends are torn between their loyalty to their childhood friend and their fear of the ever-increasing danger he poses. At some point, this fear becomes so great that it is unleashed in a brutal act of vigilante justice.

A crew from the U.S. intends to film a war drama at an abandoned sugar factory on the remote outskirts of a German city, making the nearby town, which had been a pool of stagnant water, seem to come to life. The residents are excited, each making their own little plans, until a tank pulls up in front of the mayor's house and a sudden power outage disrupts all plans.

Ecology, equality, sustainability: Anita and Sarah pursue lofty political goals as they establish a new feminist party. By contrast, the men who are infected by a new type of virus tend to have less honorable intentions. The consequences: sexual obsession, molestation, and death. Urgent effort is put into developing a vaccine. But should the male sex be saved at all?

After a car accident, Pastor Peter Aebi (60) is in a persistent vegetative state. His dependent and unhappy wife Katharina (56) and his three adult children Eddi, Silvia, and Johannes must decide whether to let their husband and father live or—as he himself requested in his living will—let him die. Just then, Katharina rediscovers her zest for life thanks to the influence of a burglar who has been caught. And the neighbors suddenly believe that the coma patient is performing minor and major miracles.

Two sisters' lives are in limbo. In their youth, Nene and Ava were a singing duo. Now there is a child, a job at a café, a boyfriend, and their mother, who is still critical of them. One sister secretly arranges a gig for both of them, and the other smashes her life to pieces because of a feeling. Suddenly it seems possible and necessary to leave one's comfort zone.