Acting
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Japanese crime film
In the Sengoku period, a woman and her daughter are raped and murdered by soldiers during a time of civil war. Afterwards, a series of samurai returning from the war through that area are found mysteriously dead with their throats torn out. The governor calls in a wild and fierce young hero to quell what is evidently an Onryō ghost.
Ogami Itto is challenged by a quintet of warriors, each armed with one fifth of Ogami's assassin fee and one fifth of the information he needs to complete his assignment.
A crossover between Wakayama's Gokudo and Sugawara Mamushi series. Gokudo runs a restaurant and makes Takuzo Kawatani his kitchen bitch. He tries to do the same for the Mamushi bros. but the boys don't play along, which pisses Gokudo off. Things get worse when he starts helping a young teacher and Bunta has a crush on a pretty girl... and unbeknownst to them it's the same woman! Yes, the film has not one but two romantic subplots! Of course it all ends in bloodshed.
Two young women must come to terms with the fact that a man they're deeply linked to is a murdering rapist.
After the closure of a coal mine leaves her husband unemployed, Fumiko travels from Kyushu to Kyoto with her daughter Kimiko, and they become hostesses at a cabaret.
Agent Zero is a cop that uses her own methods for dealing with criminals. After she unlawfully kills a rapist in a violent fashion, she is sent to prison and stripped of her badge. But very soon after, a rich politician's daughter is kidnapped by a ruthless gang. Agent Zero is let out of prison with the mission of going undercover to find the politician's daughter and return her safely. Using her deadly red handcuffs, she disposes of the criminals one by one.
Sequel to 'Sniper THE SHOOTIST'
Nagisa Oshima's documentary details the rise of Chairman Mao during the revolution and shows the Communist Party's struggle and cultural upheaval. Made in 1969 for NTV station, this TV documentary also questions Mao's dictator tendency during the cultural revolution.
Following the detonation of the atomic bombs on Hiroshima and Nagasaki, the Japanese military and the government clash over the demand from the Allies for unconditional surrender. Minister of the Army Anami leads the military officers who propose to fight on, even to the death of every Japanese citizen. Emperor Hirohito, however, joins with his ministers in asking the unthinkable, the peaceful surrender of Japan. When the military plots a coup to overthrow the Emperor's civilian government, Anami must face the choice between his desires and loyalty to his Emperor.
Originally commissioned to record urban redevelopment in Osaka’s Kamagasaki district, Hideo Arai transcends reportage to capture a haunting portrait of displacement during Japan’s economic miracle. With a dissonant score by experimental composers Toshi Ichiyanagi and Yuji Takahashi, the film juxtaposes the brutal reality of shantytown "barracks" against the state's modernization projects. Slum remains a visceral critique of social erasure and a vital, observational work of Japanese documentary film.